Stomu Yamashta - any fans?

[Sunhillow]

Ever since Esoteric Recordings dug up the 70s albums of Japanese percussionist Stomu Yamashta, I've became a big fan. I was only slightly familiar with "Go", but I've discovered that all albums are worth the time and money, while some albums are even masterpieces.

My personal top 5 would be:

1. Raindog (an astonishing masterpiece IMO):



2. Go (it's status as a classic is well deserved) or its equally great Go Live In Paris (with a reversed side A and B, which makes it feel like an entirely different album in a way).

3. Freedom Is Frightening (featuring the great Gary Boyle):



4. Floating Music (especially the side-long title track is stunning)

5. Go Too (while certainly not on par with "Go", if all disco would have been as good as on this disc, I would've been a huge disco-fan. Greatly underestimated):



One By One and The Man From The East contain some great tracks too, but they don't reach the heights of the above.

Any more fans? Maybe some people who only know "Go"? Or more fans thanks to Vicky? Speaking of Vicky, any chance of contacting Stomu for a reunion, featuring Steve Winwood, Gary Boyle and Al DiMeola, maybe even Murray Head? Who knows, if the right buttons are pushed, "Go Three" is in the making before we know it. Stranger things have happened!

[gryphs also]

I admit I've only heard the Go recordings but I like them very much. Often wondered about his other work...

[Shadow]

I bought his albums back in the 70's, but haven't listened to them as of late.

[Sunhillow]

So, have you had a chance to listen to the albums I've put up above? Mu apologies by the way for putting up entire albums. There is not much else on YT. Though I reckon and hope for this thread it's tolerated.

[helicase]

One of the best east meets west fusions. I already had the complete Go sessions on the Australian Raven label, so when Esoteric started re-releasing more of his albums, I didn't need to think twice. The only one I don't really like is One by One (your typical lame 70s soundtrack). Never mind a Go reunion, what about reissuing some more of his back catalogue first? (Notably Sea & Sky)

[gregory]

My favorite is Floating Music(1972). Poker Dice is great.

[Oreb]

Stomu's collaboration with John Williams (he of 'Star Wars' fame, but IMO a much greater artist than that might suggest to the uninitiated) on the soundtrack of Robert Altman's Images is definitely worth checking out. Here's a taste:

[FredOCal]

I heard "Go" a few years ago during the annual WXPN prog night and it really surprised me to the point where I went on a tear and picked up everything I could. I haven't heard "Raindog" or "One By One" yet, but they're on my list. The one I need to come back to because I want to like it is "Red Buddha." For some reason, it hasn't clicked with me the way I hoped it would. I really love "Floating Music" and "Freedom Is Frightening."

[Calabasas_Trafalgar]

Really liked Freedom is Frightening and Come to the Edge back in the day, but haven't played them in eons. Go didn't click much for me, and I lost interest after that.

[Sunhillow]

I heard "Go" a few years ago during the annual WXPN prog night and it really surprised me to the point where I went on a tear and picked up everything I could. I haven't heard "Raindog" or "One By One" yet, but they're on my list. The one I need to come back to because I want to like it is "Red Buddha." For some reason, it hasn't clicked with me the way I hoped it would. I really love "Floating Music" and "Freedom Is Frightening."

Order especially "Raindog" today. Above there's a stream of the complete album. You won't regret it. If you happen to don't like it at all, I'll refund you the money.

[Progbear]

Stomu's collaboration with John Williams (he of 'Star Wars' fame, but IMO a much greater artist than that might suggest to the uninitiated) on the soundtrack of Robert Altman's Images is definitely worth checking out. Here's a taste:

I admit: this is what I mainly know Yamashta from. I think this is by far Williams’ most interesting soundtrack, back when he was young and still willing to experiment, before his style ossified into cheap sentiment and melodramatic claptrap. As for the film, it’s definitely a unique and bizarre head-trip, all the characters names are the names of the actors, but all jumbled up, the story Cathryn narrates (which is presumably the children’s story she is working on) is an actual book Susannah York wrote, and so on.

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MIKE (a.k.a. "Progbear")

"'Thin Thighs For Your Man.' But I don't *like* men with thin thighs" --Daria

N.P.:“Nightmare”-Fairy/Hesperia

[Oreb]

before his style ossified into cheap sentiment and melodramatic claptrap.

He certainly has that tendency, but even through until today I think he's capable of surprising stuff - IMO the 'Tintin' soundtrack was remarkably good (never saw the movie, so I don't know how it worked in context).

[Rarebird]

I still can remember seeing him in some television-program on music in which he was shown in a room full of percussion instruments and him running from one instrument to another.

[Progmatic]

I have 3 albums Red Buddha, Floating Music & Freedom is Frightening

Freedom is the best of the lot....

[Trane]

Yeah, I like Stomu's works (heard most of the 70's stuff)... but not enough to own many albums from him

I had the two Hopper collab albums and I still have the Go... Don't feel I need more (The library's got some of them if I need it)

[Scrotum Scissor]

I have 3 albums Red Buddha, Floating Music & Freedom is Frightening

Freedom is the best of the lot....

I agree, although there are some highly interesting percussion works on Red Buddha. Floating Music and Raindog are good as well, although his attemptive merger of more or less "straight up" fusion with the avant-garde was an uneasy one. And the sonics on some of these recordings are a travesty.

I never really cared too much for the Go projects myself, although the Shrieve/Schulze meeting (especially) was intriguing.

[strawberrybrick]

He's got a new-agey album from the early 80s which is pretty good. Love the old Island vinyl though...

[MYSTERIOUS TRAVELLER]

Freedom is Fightening is a killer album.
Need to get Raindog!

[Rarebird]

I've also seen a double album 'The complete Go sessions, which seems to contain Go, Go two and Go live.

[Echoes]

In the early 1980s, he created a trilogy of albums for the Toji Temple in Kyoto. They’re called Iroha, which is part of the Japanese alphabet. Yamash'ta rolled his synthesizers and percussion into the temple, and created side-long suites. I’ve never seen these on CD. Some labels tried to release them as a best of but Yamash'ta wouldn't allow the work to be broken up. I interviewed him for Echoes in the early 1990s for one of my more memorable artist interactions. All day in his studio way up in the mountains above Kyoto, then he took us to dinner at a very trad Japanese restaurant and then a tour of the Toji Temple and tea with the monks. At the time he was working on music for "singing stones."

[Rand Kelly]

I've also seen a double album 'The complete Go sessions, which seems to contain Go, Go two and Go live.

You are correct and they were all remastered,I bought it and highly recommend this box set.

[Rarebird]

You are correct and they were all remastered,I bought it and highly recommend this box set.

At least it's cheaper than buying all albums seperately.

[Progbear]

I never really cared too much for the Go projects myself, although the Shrieve/Schulze meeting (especially) was intriguing.

Of course this led to more Schulze/Shrieve collaborations (like Transfer Station Blue and the Richard Wahnfried albums).

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MIKE (a.k.a. "Progbear")

"Parece cosa de maligno. Los pianos no estallan por casualidad." --Gabriel Garcia Marquez

N.P.:“Tserouf”-Zao/Kawana

[Reid]

Freedom is Fightening is a killer album.
Need to get Raindog!

These are arguably the strongest of the fusion/jam albums, along with Go-Live From Paris. Floating Music is mostly percussion, and a really nice analog recording. Some may love it, and others may get bored?

I've always felt that the compositional aspect of Y'Mashta's music isn't as interesting or on as high a level as the other major artists of the time. That's just my opinion. YMMV.

[Scrotum Scissor]

I've always felt that the compositional aspect of Y'Mashta's music isn't as interesting or on as high a level as the other major artists of the time. That's just my opinion.

I follow you here. He was/is very much an instrumentalist, to such a degree that even a capacity like esteemed Japanese contemporary composer Toru Takemitsu wrote pieces specifically intended for Stomu to perform.