Why are (the late) Bloodrock never mentioned when comes to Ameriprog (I said it again )
No, it's a mask - you can see him pull it off and throw it to the ground when he turns his back to the camera. Almost as great as the mask is the horrible, half-length shirt tied around his middle.
Yeah, everyone here usually agrees that the music isn't bad. But I don't know anything more about the band.
Cool, this blog has some interesting info about Manakin - this guy figured out as much as he could about the band.
http://nedraggett.wordpress.com/2008...ch-of-manakin/
http://nedraggett.wordpress.com/2008...ch-of-manakin/
http://nedraggett.wordpress.com/2008...ck-connection/
And another video with the guy from Manakin singing:
Last edited by JKL2000; 04-16-2013 at 02:05 PM.
Dunno if these ones have been mentioned:
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Yeah, I forgot about Bloodrock. To be fair, most of their stuff is pretty crude hard rock, and only when Warren Ham joined full time did they start flirting with outright prog. This material was released by One Way on a double CD collection called Triptych, which includes a (short) LPs worth of unreleased demos entitled Unspoken Words. Weirdly, this stuff sounds to me like an embryonic version of Kansas with sax/flute instead of violin.
Oh, and how could I forget about Zoldar & Clark? They were actually Jasper Wrath, the Z&C material (as well as a later album, credited to Arden House) were released by the tax scam label Dellwood without the band’s knowledge or consent. JW actually did release a proper album in the early 70s, which I guess you could call proto-prog. It was leagues ahead of a lot of other bands at the time, especially American bands. By the time of Z&C, it was obvious they had since discovered Yes. There’s pirate editions of the Z&C album (courtesy of the “Japanese” Tachika label) but it’s since come out in a self-released edition by the band.
Oh, and has anyone mentioned Guns & Butter yet? Another cheapie LP that’s actually quite good, don’t be put off by the hideous cover art:
Also, a really good jazz rock band, Good God:
Another jazzy horn band that hasn’t been mentioned yet, I Don’t Care. 1976 was way late for this kind of thing, but these guys had their moments:
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MIKE (a.k.a. "Progbear")
"'Thin Thighs For Your Man.' But I don't *like* men with thin thighs" --Daria
N.P.:“The Last Human Gateway”-IQ/Nine in a Pond Is Here
Gawd, Bloodrock was horrible. Aside from their one classic hit.
My favorite American Prog from the 70s is UTOPIA s/t
From modern era, Glass Hammer's IF
High Vibration Go On - R.I.P. Chris Squire
were Happy the Man not this? having listened to them I would have said so or I may be misunderstanding what this category means? and I was going to add FM--but then forgot -they were Canadian. Pavlovs Dog?
---I can only mention things on our label sadly because apart from the obvious ones like Kansas and Styx in all honesty I havent heard any of the less obvious ones listed here although I have obvioulsy heard the bigger name jazzier stuff like RTF etc.
Ha! Coincidentally I am good friends with the keyboard player of the former Astre' band from Tulsa, OK. He put out a proggish/industrial/metal CD with Cryptonomicon about a year & a half ago called The Devil's Dance. I played bass & bass pedals on it. Mark is also contributing to my project as well as playing full time in a dark/death metal style band in Dallas called Dei Aemeth.
Yes, they were! If they weren't mentioned, they should have been. They're a really good example, actually, as they were on a major label yet stayed pretty unknown.
Are there many other real, American prog bands like that? That were on major labels but stayed very under the radar? Echolyn, of course, but I'm thinking of earlier than that.
Personally, I have to think of Ameriprog as meaning 70s and early 80s prog bands from America, because if ANY bands can be included then you could call The Mars Volta "Ameriprog."
I'm used to the term the way it was used in Progression magazine, but other peoples' mileage may vary.
great thread, I'm finding out about lots of bands
sorry if repeated
Wow, three pages and no mention of Starcastle?
Derivative to be sure, but belongs in the conversation
Compact Disk brought high fidelity to the masses and audiophiles will never forgive it for that
You can find all of Northwind's music at northwindband.com
Has the band Surprise and their album "Assault on Merryland" been mentioned?
Then there were these guys:
http://www.rudolfmusic.com/Christmas/christmas.htm
Who's keyboard player went on to form another prog band later called Cairo
Well knock me down. It's always fun to learn of these guys' former lives. So what's the story -- was Robertson originally from the Seattle area? And I assume the band broke up not long after this recording. I'm sure that 1979 wasn't really the best time to be an ELP clone.
I don't know if he was originally from there, but ironically, I was living in Seattle at the time when the KZOK radio broadcast occurred. In fact I listened to that station all the time back then. However, I have absolutely no recollection of the concert or of the band. Too many lost brain cells & years ago. I do remember that Seattle was booming at that time & there were a lot of Cali folks coming up there to work, so maybe that explains it
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
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