A lot of people dig this band, so I decided to give it a try and listened to the Emma, Come On song. Not trying to be narrow minded, but I actually feel like I need a trip to the dentist now, this song is so sugary sweet! And I'm not being critical, that is just what I hear. The production is slick (way too slick for me), and they are skilled. If others dig it, that's great, but to me, this song makes Asia's first album look like Magma...so, not for me. And that's fine. I'm sure a lot of people don't care for some of the music that I listen to. All good.
Neil
The best album of the year according to Prog Report's panel.
This album is in very heavy rotation for me. The longer epic "Teen Angel Meets the Apocalypse" has really clicked now. Extremely well crafted piece of music.
Tomas Bodin had some really nice words to say about the album:
Really nice sentiment from their mentor! Fun fact - if you watch the DVD Meet The Flower Kings you can occasionally catch a glimpse of some fans sitting in the front holding up some large wooden flowers! That's the Moon Safari guys and it was at this gig they introduced themselves to Tomas and work began on A Doorway to Summer. They borrowed the wooden flowers from a garden on their way to the show - - and returned them afterward!I rarely speak about progressive rock and new releases specifically.
Now however I really need to stress the importance of this album.
I´m listening to "Teen Angel Meets the Apocalypse" (Moonsafari) and firstly it struck me how well thought and maturely brilliant the composition is. And that is just one song!
Secondly, how well the guys in the band are standing the ground in relation to previous success and demands from an ongrowing fanbase.
You do recognize the vibe from yesteryears but with a vibrant curiosity of "I´m not fucking ready, let us discover more"
Honestly , I´m blown away and humbled by the craftsmanship and performance on this album.
I'm curious if anyone knows the pros/cons of Moon Safari staying independent and not signing to a label. I mean they sure seem like they belong on InsideOut don't they? I'm sure IO would love to have them. Just wondering if they have been offered and declined. Conversely Big Big Train recently signed with IO after being on their own label for years. Wonder what went into that decision.
Interesting you say that. I was watching an interview with the lead singer recently and he pretty much said that Inside Out turned them down saying something like 'this is not the future'. They also tried GEP but were told they wouldn't be able to sell anymore than the band sells independently.
After being burned by ProgRock Records, who can blame them?
The most recent Roine Stolt's the Flower King output was released in 2018. 6 years is a lifetime ago in terms of the rapidly changing music industry. For that matter, the entire world has significantly changed since then.
"Well my son, life is like a beanstalk, isn't it?"--Dalai Lama
Wow I didn't know that. Surprising to me as they seem like a perfect fit. But perhaps 10 years since the last album InsideOut just wasn't sure if the fanbase was still there.
But it seems like they may have miscalculated - a week after the album came out MS posted this:
Great first week, guys! Here we thought the CD was a thing of the past, but vendors are running low all over and we've had to fast track the next run to keep up with demand. Hopefully won't lead to any delays to end customers but we appreciate your patience should that situation arise. Great problem to have! Great fans!
Just gave a listen to Himlabacken Vol. 1 and "Too Young To Say Goodbye" is just an absolutely beautiful song. Melody, harmonies, playing.
Although I admit there is a certain quality in their music that often makes me feel melancholic. Even the upbeat stuff makes me feel that way.
Last edited by Splicer; 01-07-2024 at 11:31 AM.
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