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Thread: FEATURED CD: Marillion - Clutching At Straws

  1. #1
    Moderator Poisoned Youth's Avatar
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    FEATURED CD: Marillion - Clutching At Straws






    Review from Sea of Tranquility (Jeff B.)
    Marillion: Clutching at Straws

    The End of an Era

    Just two years after the commercial and artistic triumph that was Misplaced Childhood, Marillion crafted another masterwork with 1987's Clutching at Straws. Despite all of the tensions and problems during the recording of this album, Marillion still managed to come out on top, creating one of the definitive releases in eighties progressive rock. This would end up being the last Marillion album with Fish behind the microphone, and I think time has proved this as the perfect swansong for the dramatic and theatric vocalist. Providing some of his most emotional lyrics and vocal performances, complimented by some of the darkest music Marillion has ever produced, you have some of the greatest material the band has ever created. Clutching at Straws is a masterpiece out of the league of all other masterpieces, and there really is no other way to describe it. Even though I love both Fish and Hogarth-era Marillion, no future album would ever top this one. If you like progressive rock, neo-prog, or just music in general, Clutching at Straws is an essential masterpiece!

    The music here is very similar to the first three Marillion albums, even though the mood is much darker and melancholic and the sound is slightly more mature. This means that you should expect dark neo-prog with beautiful vocal melodies, poignant lyrics, and melodic instrumentation. The keyboards on Clutching at Straws are much more atmospheric than on the first three albums, even further proving Mark Kelly's keyboard prowess. Many of the solos on this album are from Steve Rothery. I adore his melodic playing style and, even though he isn't the most technical guy out there, his picking has more feeling and emotion than almost anyone. Clutching at Straws also features some of the best basslines Pete Trewavas would ever perform, not to forget about the spot-on drumming from Ian Mosley. The musicianship is very professional overall, and is yet another reason to love this album. However, the greatest assets of this entire album lie in the strength and sheer emotional power of the compositions. When I say that this album has some of the most beautiful music ever written, that is no overstatement. Songs like "Sugar Mice", "Warm Wet Circles", "Going Under", and "The Last Straw" are all emotional masterpieces. There are also some more upbeat tunes like "Just for the Record" and "Incommunicado", both of which are also masterpieces. Every song on Clutching at Straws is easily 5-star material; how many albums can you really say that about?

    It's nearly impossible to discuss a Fish-era Marillion album without mentioning Derek Dick's terrific lyrical force. I'm not usually one to pay much attention to lyrics, but I must say that the words here have captivated me from first listen. Clutching at Straws may be some of Fish's finest work, considering the amazing amount of emotion he put into songs like "Sugar Mice" or "The Last Straw". If lines like "So if you want my address it's number one at the end of the bar, Where I sit with the broken angels clutching at straws and nursing our scars, Blame it on me, blame it on me" or " We're terminal cases that keep talking medicine, Pretending the end isn't quite that near" don't send shivers down your spine, you may not have a soul. The deep lyrical context Fish has created in relation to his own alcoholism is truly spectacular. I don't hesitate in saying that this album contains some of the greatest lyrics ever written. Add in some of Fish's most inspired and emotional vocal performances, and you have another aspect where Clutching at Straws is superb.

    The production is the best that Marillion has ever had. Whereas their earlier works sounded slightly too synthetic, this is the perfect balance between an organic sound and a powerful mix.

    Conclusion:

    Since the first time I heard Clutching at Straws, I knew it was a complete masterpiece. This is one of the most emotional and spectacular albums I own - it's one of my all-time favorites for sure. If you like progressive rock and still haven't gotten a copy of this classic, I would fix that as soon as possible. This is one of my favorite albums, so I have no hesitation in giving out a 5 star masterpiece ranking. Even though Marillion would release some more great albums after this, Clutching at Straws is the end of their definitive era. Fish and Marillion were an unstoppable force back in the eighties. They created some of the best prog rock ever as well as many of my personal favorites. I'm so glad I've had the experience of hearing their music - this is magic in its truest form!





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  2. #2
    Insect Overlord Progatron's Avatar
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    My favourite of the Fish era, with Fugazi a close second. I went through a period when I was in my early twenties of a rather... narcotic lifestyle (hard to imagine now) and drank alone sometimes too, and this album was a real companion. The climax of the album in "The Last Straw" is always a very commanding moment (the chord following the solo, leading into "And if you ever come across us...") They were firing on all cylinders here - absolutely classic stuff! Although I'm much more a fan nowadays of the H-era, I still have a real soft spot for the first four albums, and Clutching is the best of those.

    Love it. Now if you'll excuse me, I'm on my way out the door. Going to spend the entire weekend with this band.
    Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.

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  3. #3
    This hit me at an impressionable time, a transitional period, a great time to discover new bands / new albums / new thoughts, etc.! One of their best. It made me want to travel the country by myself, all back roads, just so I could be a shadow figure in strange environs and saloons, with a foot in this world and the next, a Jester cap hanging out my coat pocket, a drink in my hand, ready to plunge into adventures in these alien places as if I belonged there, then fleeing to the next horizon, and so forth. I even did a little of this kind of thing, off and on, for a while. Still do now that I think of it. Lyrically it struck me as a document of "alcohol mysticism"; how I described it at the time. Turned me on to Kerouac, and it put me on the trax, to burn a little brighter now... A poetic and fitting end to the Fish era of Marillion.

  4. #4
    So, I gather the reviewer thought it was a masterpiece

    This is the only Marillion album that ever made much of an impression on me... I really like it.

  5. #5
    Insect Overlord Progatron's Avatar
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    I remember first hearing the lyric "when you're hiding 29 you know it ain't a crime..." and thinking how that was several years in my future. Now it's eleven years in my past. Yikes!

  6. #6
    With time this album became my all time favorite Marillion album regardless of who was singing lead.
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  7. #7
    Mod or rocker? Mocker. Frumious B's Avatar
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    The Hogarth stuff is my favorite, but this one is pretty killer. The lyrics are the best Fish has ever written as far as I'm concerned.
    "It was a cruel song, but fair."-Roger Waters

  8. #8
    The crowning glory of the Fish era. IIRC except maybe for Torch Song and Going Under this album subsequently has been played live by the current band with H on vocals and I wouldn't mind a Marillion Weekend with one night dedicated to performing this in its entirety. But I fear we have to wait for it untill the 2017 weekend as it seems quite likely that the 2015 will be dominated by another classic album.

  9. #9
    Member Paulrus's Avatar
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    Put me down in the "best of Fish's time in Marillion" camp. There's a maturity in the lyrics that was new at the time, plus you can hear a sense of the musicians itching to spread their wings a bit and bust out of the box they put themselves in with Misplaced Childhood. IMO Fish would have been better served staying with his Marillion cohorts since they really did complement each other, as this album proves. But they were both obviously pretty tired of each other by this stage.

    IMO, the only miscue here -- as born out by the live shows -- was the female backing vocals. I recall when they came to San Jose and played a small club at a show hosted by our dear own Greg Stone of KOME (broadcast live -- I'm sure some of you have it as a boot). Fish pleaded with the crowd to help in any way they could to get Marillion on the radio. It must have been a bummer for the group, since on the previous tour they played the Warfield in SF.

  10. #10
    The eons are closing
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    Stone cold classic.
    I can never get tired of "White Russian" or "The Last Straw"

    Wish I had not given away my original CD pressing when I bought the 'muddy' 2 disc EMI remaster. I hardly play the album anymore as a result.
    But that's okay; I can 'sing it' note for note in my head, I know it that well.
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  11. #11
    My favorite with Fish. Brave and Afraid of Sunlight are my favorites overall, but CaS is very sophisticated for the time. Great album!

  12. #12
    ItalProgRules's Avatar
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    Love this one a ton.

    The only thing that pisses me off is that my CD was bought brand new and has stopped dead in the middle of "White Russian" since day one. And that's one of my favorite songs on it. And I bought it far away and couldn't return it.

    Time to finally get a new copy.

    Great, great stuff. Very well could be the best of the Fish era. Highly recommended.
    High Vibration Go On - R.I.P. Chris Squire

  13. #13
    The first three songs - Oh. My. God. Maybe the best they have ever made?



    (Also, The Last Straw live from Wembley 87. Has anyone sung as good as Cori Josias before or after that?)

  14. #14
    This one is probably artistically better than Misplaced Childhood, but I don't like it as much. Don't get me wrong; it's a helluvan album! But it doesn't viscerally move me the way MC does.

    That said, those two are head and shoulders the best things Marillion has ever made, with or without Fish.
    Cobra handling and cocaine use are a bad mix.

  15. #15
    facetious maximus Yves's Avatar
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    This release has the dubious distinction of being the first CD I ever purchased. It's been a long while since I sat down and listened to it from cover-to-cover though. The tour for this was excellent!
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  16. #16
    My favourite Marillion album. Mind you the H stuff goes right over my head so there's not so much to choose from for me!

  17. #17
    cunning linguist 3LockBox's Avatar
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    The only Fish-era Marillion I care to own. And its probably still a top-5 Marillion album as well.
    Compact Disk brought high fidelity to the masses and audiophiles will never forgive it for that

  18. #18
    Highly Evolved Orangutan JKL2000's Avatar
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    Quote Originally Posted by Yves View Post
    This release has the dubious distinction of being the first CD I ever purchased.
    I think it was the 2nd one I purchased. Also, I remember hearing Incommunicado on the radio exactly one time. Between that and buying the CD at a chain store (Record Theater in Syracuse's Marshall Square Mall), then seeing the band shortly after in Rochester, it was as if the world was going to accept Marillion for good. Alas... But I'm glad for the way it's all worked out.

    A great album - never quite sure if this or Misplaced is my favorite Fish-era album (I love them all).

  19. #19
    Member Digital_Man's Avatar
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    Top ten or 15 at least desert island disc for me. Great, great album that interestingly enough took me about ten listens to finally get.

  20. #20
    Recently Resurrected zombywoof's Avatar
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    The ultimate NeoProg album.

  21. #21
    Quote Originally Posted by JKL2000 View Post
    I think it was the 2nd one I purchased. Also, I remember hearing Incommunicado on the radio exactly one time.
    To me, Incommunicado is the turd in the Clutching At Straws punchbowl.

  22. #22
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    Quote Originally Posted by trurl View Post
    To me, Incommunicado is the turd in the Clutching At Straws punchbowl.
    If a turd did actually exist on that album
    it would Just for the Record (which is only weak because everything else is so awesome)

    IMO as usual.
    Death inspires me like a dog inspires a rabbit

  23. #23
    Member Jerjo's Avatar
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    Fish's crowning achievement, and one of the best albums this band ever did. I came to this quite late in the game and the first time I played this I really didn't know what I was in for (other than hoping it was as good as Misplaced Childhood). Met and exceeded expectations in spades.
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  24. #24
    ItalProgRules's Avatar
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    Quote Originally Posted by trurl View Post
    To me, Incommunicado is the turd in the Clutching At Straws punchbowl.

    "Incommunicado" is my favorite song on the album and one of my favorite Marillion songs, period.

    Different strokes!
    High Vibration Go On - R.I.P. Chris Squire

  25. #25
    Back in the early 90's my first exposure to Marillion was the compilation Six Of One Half Dozen Of The Other and one song that immediately grabbed me was Warm Wet Circles, at first glance it seems like there's nothing special about it, but after repeat listens and examination of the lyrics I realized it was one of the most haunting, beautiful songs I've ever heard, I didn't get this album until maybe 6 or 7 years ago and I gotta say is in my top 5 of all Marillion, maybe top 3.
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