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Thread: Which Ruins album to get first?

  1. #1
    Member thedunno's Avatar
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    Which Ruins album to get first?

    2018 is for me the year of the discovery of the music of Tatsuya Yoshida. Got the latest Koenji and got all the other Kooenji's I could find. Beter late then never. Also Saw Sax Ruins in full live attack mode. Got the album "Yawiquo" too.

    So now on to Ruins. There are a lot of albums available on BC. Which to get first? I am sure this will make nice background music for the holiday season.

    And any other Tatsuya Yoshida- projects I should check out?
    Last edited by thedunno; 12-18-2018 at 02:45 AM.

  2. #2
    Quote Originally Posted by thedunno View Post
    And any other Tatsuya Yoshida- projects I should check out?
    All of them, basically. Start with the debut Korekyojin, then get Zephyros by the Satoko Fujii Quartet (in which you can hear his inimitable translation of jazz drumming), A Meaningful Meaningnessless [sic] by Hoppy Kamiyama, Incubation by Musica Transonic & Keiji Haino and prepare for total charge of ear and mind. Or you can get the sole album by Zubi Zuva, an acapella vocal quartet fronted by Yoshida and exclusively performing cartoon-like pieces for vox qwith little improvisation.

    re: Ruins. There were at least five different constellations of the band that I know of. The first one was lo-fi to the max and featured a lot of free improv, the best of which was Burning Stone from '92. The second one was just as raw but had better production values and a new bassist; their debut for Skin Graft Records, Refusal Fossil from '97, is generally where it's at - better and somewhat more focused than their debut for Tzadik, Hyderomastgroningem from '95 (IMO). However, I'd personally go for the third incarnation, with bassist Hisashi Sasaki and some MIDI added on Vrresto from '98; it's as wild and insane as ever, but so meticulously detailed and virtuosic that you'll hardly even believe what you're hearing there. It's also fairly easy to come by, as it was Yoshida's first Ruins release for his own Magaibutsu label (in coordination with the legendary Sonore).

    Also there's Symphonica on Tzadik (also '98), which has fully band-arranged orchestrations of older Ruins material coming pretty close to Koenji standards. Main man besides Yoshida here is no other than Kenichi Oguchi, Kenso's keyboardist.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  3. #3
    Member thedunno's Avatar
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    Thanks,

    I got Vrresto and the 'Arabasque' of Korekyojin from bandcamp.
    Unfortunately the Tzadik releases are not on BC.

  4. #4
    I asked the "which Ruins first" question to Spacefreak some months ago. After 3 or 4 drinks in a very short span of time, he could only describe the art-cover:"oh, the one with this stone figure in front, that's a great one".

    But the next day he told me that he meant Symphonica...

  5. #5
    Member Mascodagama's Avatar
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    A great primer from Richard there. I can add little, though I am also fond of Episome, an album he cut with Bill Laswell and Otomo Yoshihide (Ground Zero) that is actually in print.
    “your ognna pay pay with my wrath of ballbat”

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  6. #6
    ^ Symphonica is totally great and highly underrated. I suppose some older 'hardcore' Ruins-fanatics were somewhat put off by the overt "prog" approach of the new arrangements, but there's still bone rawness in the female vox and the bass esepcially.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  7. #7
    Quote Originally Posted by Scrotum Scissor View Post
    ^ Symphonica is totally great and highly underrated. I suppose some older 'hardcore' Ruins-fanatics were somewhat put off by the overt "prog" approach of the new arrangements, but there's still bone rawness in the female vox and the bass esepcially.
    Yes, the bass is brutal. I believe no guitars, no?

    But at least there's mellotron. And plenty of proto-prog, hammond.

  8. #8
    The ruins of Crimson, yes, uk

    Asia's first album


  9. #9
    I wonder which part of my body would first get chopped off, if one day I returned home from work and played some good old Ruins loud in the living room.
    Last edited by Zappathustra; 12-20-2018 at 07:44 AM.

  10. #10

  11. #11
    Quote Originally Posted by Zappathustra View Post
    I wonder which part of my body would first get chopped off my body, if one day I returned home from work and played some good old Ruins loud in the living room.
    At least it wouldn't signal how you were already halfway through a sexchange op, as when I desperately tried to play that debut Asia.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  12. #12
    Member thedunno's Avatar
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    I think I am going to try to sneek a few ruins tunes into the christmas playlist. Lets see how the family reacts during the dinner.

  13. #13
    Member Morpheus's Avatar
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    I will second Burning Stone. Hyderomastgroningem after that. I am a bigger fan of the Masuda period, the Sasaki stuff feels a bit sterile to me.

  14. #14
    Quote Originally Posted by Morpheus View Post
    the Sasaki stuff feels a bit sterile to me.
    Sasaki is a pophead, and Yoshida needed that in order to twist Ruins into a more commercial direction for the hits to come before the label dropped him. After a long period of intense contemplation, Yoshida finally came up with "Warrido" and sent the demo to Wakarimas Samurai Kutsabashi-Kobodai, prime leader and übermogul of the Torahtorah corporation, the investor's group recently responsible for signing the collossally successful new prog band The Ninja of Sympho. When Wakarimas-san got to hear "Warrido", he simply yelled out EUREKA!! We've got a schlager! (In Nippon, of course)

    Btw, the chorus of the song is that entire middle-section.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  15. #15
    No talk of the Derek And The Ruins albums? I think there were two, but I only have one, entitled Tohnjibo. I happen to like it, but then I dig Derek Bailey's guitar work.

    Another good record is Barrishee, a duo album Yoshida-san did with another avant guitar god, Uchihashi Kazuhisa.

    That's really all the input I have on that topic. I remember hearing about the Ruins back in the mid 90's, and I think occasionally hearing their stuff on college radio, but it seems like I remember most of their stuff was almost impossible to find around here. I think the only other album I have by them is Symphonica.

  16. #16
    Oh my god Richard

  17. #17
    Member Morpheus's Avatar
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    Quote Originally Posted by Scrotum Scissor View Post
    Sasaki is a pophead, and Yoshida needed that in order to twist Ruins into a more commercial direction for the hits to come before the label dropped him. After a long period of intense contemplation, Yoshida finally came up with "Warrido" and sent the demo to Wakarimas Samurai Kutsabashi-Kobodai, prime leader and übermogul of the Torahtorah corporation, the investor's group recently responsible for signing the collossally successful new prog band The Ninja of Sympho. When Wakarimas-san got to hear "Warrido", he simply yelled out EUREKA!! We've got a schlager! (In Nippon, of course)

    Btw, the chorus of the song is that entire middle-section.
    So sympho lympho.

  18. #18
    ^ Don't you dare lure out that inner avant-intellectualist in me, Morpheus-man!!

    But you're right, though - the very definition of s-l.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  19. #19
    Member Steve F.'s Avatar
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    Quote Originally Posted by Udi Koomran View Post
    Burning Stone
    I'll second Burning Stone.
    Steve F.

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    www.cuneiformrecords.com

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  20. #20
    I'm here for the moosic NogbadTheBad's Avatar
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    Need to check these out, I'm sadly lacking any Ruins.
    Ian

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  21. #21
    But their absolute peak for me is Mandala 2000
    A blistering live performance - unbelievable musicianship

  22. #22
    Member Lebofsky's Avatar
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    Burning Stone for sure!

    Heard that very record playing over the speakers at a record store in the early 90's and was like, "okay what HELL is that?!" My first introduction to that whole world. Saw them live a bunch during that era when they were seemingly touring through the Bay Area all the time.

    - Matt

  23. #23
    Closely linked : Ryoko Ono, the Sax Ruins sax player has released a record with her band Ryorchestra , a septet with a strong Zeuhl influence. The band will tour in September 19 in Germany and France.

    https://www.youtube.com/watch?v=I_bEnecZIpc
    Last edited by alucard; 12-19-2018 at 03:29 AM.

  24. #24
    Symphonica in my opinion.
    Macht das ohr auf!

    COSMIC EYE RECORDS

  25. #25
    Member thedunno's Avatar
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    Holy F**k, what a weird shit is burning stone!

    I love it.

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