They are so much more than Sister Golden Hair, Horse with No Name and Tin Man
Never cared much for them but their hits are nice and pleasant. I always thought We Can Do Magic was CSN or some other configuration because one of the backup voices sounds like Graham Nash to my ears.
Thanks to this thread I've been on an America kick this afternoon. I found this gem of a live concert performance on YT:
They actually play a mellotron 29 minutes in. I shit you not...
Back in the day, it was always a good idea for a young man to have a copy of America's greatest hits LP in their collection in the dorm room (or James Taylor, Seals & Crofts, Dan Fogelberg...). For you know, entertaining female guests.
I don't like country music, but I don't mean to denigrate those who do. And for the people who like country music, denigrate means 'put down.'- Bob Newhart
He also had a successful "today's country" music career in the 80's. My dad used to keep the car radio on WGAR, the local country station, and I remember one time we were out on the radio for whatever reason, and whatever the country music version of America's Top 40 (I don't even remember what it was called) was on, and I remember the host saying something to the effect that Dan Seals was a bit embarrassed by some of the stuff he did with John Ford Coley, though I don't know why, because listening to both things now, it sounds like six of one, half a dozen of the other to me.
I'd Really Love To See You Tonight is another song they inflict on us at work. Dammit, if they're gonna play all that AC nonsense, why can't they play a little Eddie Cochran, Booker T And The MG's, or Stevie Wonder?
Ironically, though, listening to that kind of music had the exact opposite effect. Or at least that's what Denis Leary suggested once. He said that if parents could sue heavy metal bands for causing their kids to commit suicide, he should be able to sue James Taylor for turning him into a pussy. "Your Honor, between this guy and Dan Fogelberg, I couldn't get laid for seven years!!!!!".Back in the day, it was always a good idea for a young man to have a copy of America's greatest hits LP in their collection in the dorm room (or James Taylor, Seals & Crofts, Dan Fogelberg...). For you know, entertaining female guests.
I can listen to that 70s soft-rock/Adult Contemporary because it's mostly acoustic in nature so still sounds OK- the 'mellowness' itself is the most dated thing there, if you get what I mean. But by the 80s/90s the synths and programmed drums started coming into the picture- it tried to sound trendy and the results are just awful.
Saw them last summer at a free concert in the town park. one could still sing, the other struggled, but the sing-along crowd made up for it.
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A gentleman is defined as someone who knows how to play the accordion, and doesn't.
I think the important distinction here is that you are *only* supposed to listen to the America/James Taylor/Dan Fogelberg LPs when the female guest is physically present. Any guy who listens to that stuff on his own, and even worse, actually starts to believe the sentiments expressed as representing some sort of reality... Well then I'm sure Mr. Leary's fate is all but certain.
Maybe so. You certainly don't want Fogelberg and Taylor to be the only music you listen to, regardless of one's gender.
But as far as putting on the right music when a woman is over, I always liked the line about Stevie Wonder on one of those I Love The 70's shows on VH-1. I forget who it was who said it, but he said that if you have a rainy night, a fireplace, some cognac, and you put Stevie Wonder on the stereo, if you still can't "close the deal", give it up.
I love the first three or four albums, then after that, not so much. The song Hat Trick from the album of the same name is a great stab at a Beatlesque prog/pop suite. Yeah, they weren't going to write any great protest songs but they were a hook factory on those first three albums. IMO, that History album, while fully representative of their sound, is bereft of their better songs that rarely, if ever, get airplay. If you really liked the radio stuff then you owe it to yourself to listen to at least the first two albums.
Compact Disk brought high fidelity to the masses and audiophiles will never forgive it for that
To me the first two albums are a perfect 10 ("America" and "Homecoming"). A lot of amazing "non hits" are on those two (like Moon Song). "Hat Trick" I would call a 7 and the next 4 I would rate a 6. That's all I have.
For decades, all I knew was HWNN and I went mad looking on which Neil Young album it was.
But although I knew of the band's existence, I'd not heard anything more... or else I simply didn't make the equation A = B
I tried a few times their albums and it simply does nothing to me, except for Horse With No Name, which was the only obvious track I k,ew
Goosebumps over America?? TBH, Ventura sounds too much like HWNN to me..
Just like for The Eagles' Hotel California song, I guess the rest of America is wasted on me
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
They play guitar, but the leads are atrocious - at the end of Sandman, they jam out to a guitar solo that sounds like it was played by someone who has never played a lead before. I like many of their songs, but they arent necessarily the hits, though I do like Sister Goldenhair any time it is playing.
I got nothin' :
...avoiding any implication that I have ever entertained a cognizant thought.
live samples:
https://www.youtube.com/watch?v=fwbCFGbAtFc
https://youtu.be/AEE5OZXJioE
https://soundcloud.com/yodelgoat/yod...om-a-live-show
https://www.youtube.com/watch?v=KUe3YhCjy6g
https://www.youtube.com/watch?v=-VOCJokzL_s
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