LOL! I'd have to be there with you to hear what you're hearing and see what you're doing to diagnose any further. I'd say trust your ears. You know what you want to hear, and who gives a crap how well reviewed a piece of equipment is, or how expensive it is? If you can't make it work for you, then it doesn't work. Sounds like you're being reasonable diligent about checking some basics, which is probably smart. But don't doubt your ears, and try to find equipment that it isn't such a chore to get a good sound with.
Do others in your band have the same issues you do with the recordings? if so, do they have any suggestions? If not, does their happiness make you any happier?
Yeah, she's psyched, but the poor girl has been so busy she hasn't played with it much. We'll have some time this weekend. I haven't heard it at all yet.
Bill
I have a bit more than that.
Keys:
Nord Electro 2
M-Audio Keystation Pro 88
Modules:
Nord G2 Engine
Akai Z4 Sampler
Yamaha TX81Z
Kawai K1rII
Proteus/1
Waldorf Blofeld
And on the computer
Arturia V Collection
Not in use
Roland System 100 model 101 synthesizer
Target TRG-MKI49
G2 Engine! Nice! Expanded?
My Progressive Workshop at http://soundcloud.com/hfxx
I had an expanded G1 rack for a while, but sold it to look for a G2 Engine. However the investment went elsewhere. I'd still get one if the price is right... Fabulous device!
My Progressive Workshop at http://soundcloud.com/hfxx
Finally got to hear a bit of the Electro 5 last night. Organ sounds are a huge improvement on this board compared to the Electro 1. Acoustic pianos as well. Rhodes piano is oddly a bit weaker, though we haven't tweaked with it that much yet, and there is possibly a better sample on their site for download. I'm sure we'll get that worked out.
But I was floored by the organ sounds, and they are much smoother than on the Electro 1, which gets a bit shrill in the higher registers.
Bill
Another thing I like about the Electro 5 (and 4) is the presence of physical drawbar faders. I didn't much care for the virtual drawbars of the Electro 3, 2 or 1.
"Well my son, life is like a beanstalk, isn't it?"--Dalai Lama
Yeah, that is cool, and is a real incentive to play around with the drawbars in real time to see how they effect the sound. it was definitely more a chore to do that on the Electro 1 (and 2 and 3).
My wife got the Rhodes sound cranked up, so the board is really starting to sound good. The organs continue to blow us both away.
Bill
Just bought a 12 string! I have been missing my old Jay Turser 12 string electric, so I did a little search and found this rather lovely thing...
https://www.youtube.com/watch?v=wAqJeXE_njQ
(thats not me in the vid, by the way)
I picked up the Tele version as it seems to be a nice thing. People seem to be impressed with the overall quality. I'll only use it while recording. I'll try to remember to update this once It comes in. I paid 175 with free shipping.
Cozart Guitars... I'm giving them a try
I got nothin' :
...avoiding any implication that I have ever entertained a cognizant thought.
live samples:
https://www.youtube.com/watch?v=fwbCFGbAtFc
https://youtu.be/AEE5OZXJioE
https://soundcloud.com/yodelgoat/yod...om-a-live-show
https://www.youtube.com/watch?v=KUe3YhCjy6g
https://www.youtube.com/watch?v=-VOCJokzL_s
For that price, you can't really go wrong. I've seen some Cozarts on Reverb, and they certainly look cool. You've got to wonder when something is that cheap, but the reviews are generally positive. I think occasionally someone gets a total dud, but that seems to be the exception. If the neck is solid and the body is made of decent wood, then everything else is up-gradable, should you choose to do so. Definitely keep us posted on how you like it.
I took a chance on a fairly cheap guitar recently, a PT Berger Rodeo King (http://www.ptbergerguitars.com/rodeo-king, I got the one in transparent red), and for the most part I was extremely pleased. Some of the pickguard cosmetics were a little "rough," shall we say, but the basic body and neck are extraordinary, and those Telsa VR-60 pickups are freaking unbelievable! Those are $95 pickups each retail on a guitar I paid about $400 for! The guitar sounds and plays great, and scratches my Tele itch and then some.
So I'm not opposed to trying a cheap instrument. I hope yours works out!
Bill
Well, after all, isn't that THE main issue when researching and buying an instrument? Will an inexpensive instrument be a solid, long-lasting asset or will it be a disappointment that needs to be sold/traded/given away at a loss so that one can get the instrument that we should have bought from the start?
Many times I have bought an inexpensive instrument and then realized it just doesn't give me the sound I need. That wastes money in the long run.
Yet I do have a number of inexpensive instruments that were just perfect for me at the time and remain so to this day.
But, when I have waited and saved for a better instrument (instead of getting a cheaper version), I have never, ever gotten rid of the piece.
It really is a tough choice sometime.
Sometimes. There are times when I'm simply not looking at cheap instruments, I want something nice. And likewise times I'm just not looking to pay a lot, but want something serviceable (or a "great bang for the buck" if you get lucky). So I think it's the times when you really are torn between spending more to get something "really nice," or spending less to get something that may be largely just as good that this quandary comes into play. Will the American Strat at $1,200-$1,400 be that much better for me than the Mexican Strat for $400-500? Sometimes that decision is easy, sometimes not so much.
Generally I agree with you, cheaper instruments are "stepping stones" to nicer things, but I've gotten rid of my share of nice guitars. And I've had my fairly cheap Tobias Toby fretless for 14-15 years, so sometimes you really do get lucky. The cheap instruments are also great if you're not really sure you want something. Often you'll let the cheap item go, but not get a more expensive replacement. So they have their place.
But when you're certain, and it's worth the scratch to you, nicer instruments to tend to have greater staying power.
Bill
I bought the 12 string mostly because I had a song in my head that requires one. the reason I got rid of my Turser, was that it was not that durable, and it had started to rust(no kidding). The bridge was bending because of the string tension. If this one doesnt work out - I havent received it yet. I'll record the song and then, if its pretty, it will wind up on my studio wall, where I'll take it down once or twice a year. If the wood is decent, I will probably just upgrade the hardware, so it doesnt rust. I would love to have a Rick 12 string, and I have a friend who would probably loan his to me, but that is way out of my budget at least for now. any guitar over 2 grand is just not in the cards. at 175, this is not a real risk. I'll probably be able to get the song done, and possibly never have to buy another 12 string. I may not "need" one. but I can probably resell it at a bit of a loss, or just hang on to it. I have been wanting a Tele, but I have strat, so this is a happy compromise. I will definitely let y'all know if its worth it - How can it not be?
I got nothin' :
...avoiding any implication that I have ever entertained a cognizant thought.
live samples:
https://www.youtube.com/watch?v=fwbCFGbAtFc
https://youtu.be/AEE5OZXJioE
https://soundcloud.com/yodelgoat/yod...om-a-live-show
https://www.youtube.com/watch?v=KUe3YhCjy6g
https://www.youtube.com/watch?v=-VOCJokzL_s
On this note, it's worth pointing out that, of all the (sometimes very expensive) guitars I own, the one I most often come back to is my old (1985) Ibanez Roadstar RS530. I bought this for about $275 in 2001, and have subsequently changed pretty much all of the hardware - to the point where about the only original aspects of it left are the body and the neck. It's now an absolutely brilliant instrument - sounds incredible (it has a Duncan Allan Holdsworth in the bridge and an Ibanez USA F2 in the neck), plays amazingly well, with a truly butter-like action, and is incredibly stable tuning wise (it's on its third trem system, which is a Kahler, following on from the original Ibanez Pro Rocker and a Wilkinson). I'm sure some would argue that I would have been better off just buying a more expensive instrument from the off, and saving all of the money I've spent on tinkering and modifications over the years. This misses a number of significant points: 1. The whole on this guitar is much greater than the sum of the parts, something which has been reached by a long process of what one might call 'methodical trial and error; 2. It's indisputably my guitar, reflecting my own personal tonal and playing priorities and how these have changed over the years; 3. I've had an awful lot of (expensive) fun getting there!; 4. I would have been much more reluctant to make the same number of alterations to a more expensive instrument that would have had a serious effect on its potential resale value. I have absolutely no issue, however with tweaking a cheap, but fundamentally sound guitar, however. And I love what I now have.
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