But beyond the issue of whether or not Porcupine Tree could play Wilson's current music is the question of would or
should it do so. Back to Wilson's discussion of brand name, there may be more risks in going out under his own name now, with Porcupine Tree's 20-year history, but there's also more freedom and, paradoxically, more control. "I think the difference is that I would never ask the guys in Porcupine Tree to play music that I did not feel they would enjoy playing" says Wilson. "Whereas the difference, when you're hiring guys, is that although you still want them to enjoy playing the music, because they know it's my thing, they are more willing to try their hand at something else. Sort of like, 'You know, it's not what I'm into, but you know what? I'll go with it and I'll play it.'
"When you have a band that's been together as long as Porcupine Tree, there are all sorts of internal politics, and I simply wouldn't want to be performing something with them if I didn't think they were enjoying it," Wilson continues. "By definition, that then becomes the band sound, and although that is limiting, I use the word in the sense that it can also be positive. Porcupine Tree has a very distinct sound which people instantly recognize, and that sound comes from what we can all agree to play. Another way of putting it might be to say, if you took an artist like Frank Zappa, can you imagine a catalog that eclectic being made ever by the same group of musicians? That sort of democracy is just not possible. Only a solo artist could create such an eclectic catalog. In many respects, he's been my role model—to be able to be in a situation where I can surprise people with my next move. I think that's the difference. I mean, this is a band, but it's not a band [laughs]; and this time I'm going to keep it that way."
"I think one of the worst things I could've done would have been to go straight off the back of the last Porcupine Tree record into another album, another tour," Wilson continues. "It was just beginning to feel like it was becoming repetitive, like a sausage machine. I'm probably about halfway through my career; I've been doing it for 20 years, and let's say I've got another 20 years. Time to get into some different things, you know? And it's funny, again, how much resistance there is from the fan base. You know, I've done this for 20 years, I've made plenty of albums with this band, and I want to do some different things now, and really, there have been some quite hateful and offensive responses, though fortunately in the minority.
"It's a cliché for an artist to say that the new album they're working on is the best thing they've ever done," Wilson continues, "but in a way it's logical because whatever you're doing at the moment is the thing that reflects most closely where you are in your life and your emotional state in that moment. I feel very remote from things I made five years ago, let alone fifteen years ago. I don't recognize the person that made them, and the reason I don't recognize that person is because I'm not that person anymore, so it makes sense that whatever you're working on now is closest to your heart.
"But the fans' relationship to the music is very different from your own relationship," continues Wilson. "Some people take it very personally and are taking the Porcupine Tree thing very personally. I'm not particularly inspired to make a record with Porcupine Tree right now; therefore, the worst thing I could do would be to make a Porcupine Tree record. Who wants to hear a Porcupine Tree record made by people who are not really inspired to be making a Porcupine Tree record? The answer: a lot of people; there are a lot of people who would rather I made an album with Porcupine Tree that I'm not really into than an album under my own name, which I'm really inspired to make. I can't change that fact.
"Thankfully, this is a minority," Wilson concludes. "And I think most people do get it. I think I've engendered a career in which people expect the unexpected; certainly, with Porcupine Tree, we've reinvented the band several times, and so people have come to expect that. But, again, it's amazing how much the brand name is in some ways more important to people than even the sound changing. If you do something with a different name, it's more upsetting than if you completely change your sound. It's very strange to me—all the politics that go on. Anyway, I'm working hard; I'm almost trying to overachieve, I think, even with the tour. I'm going out with a production that's even bigger than Porcupine Tree. I'm overachieving to try and convince people to take it seriously. And I think I'm winning the battle."
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