If they worked as quickly on the album as they did adding thousands of MySpace friends this would have come out five years ago! Still liked the burning house pic they had on their profile.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
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“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
The middle sections of their songs - some of them, anyway - build up to passages that can't be assigned to any one key, where both guitars, the bass, and the keyboards are playing parts that don't seem to have anything to do with one another, yet somehow fit together. That's not unusual in avant-prog. But the songs didn't start in a place like that, and they don't stay there.
I just finished reading this thread, and I'd just like to say that the people who found the lyrics on the first album to be prohibitively unsavory are very unlikely to find anything objectionable in the lyrics of this new album.
It's because they build up to that, and make it sound logical and right. This is not anything new - think of Gentle Giant, for example. Indeed, it's a common and accepted hallmark of prog. But Bubblemath do it better than most, more adventurously than most, and they do it within their own sound and musical vocabulary.
http://www.waysidemusic.com/Music-Pr...e-spc-434.aspx
Looks like it's available!
Dammit, should have waited a couple of days to place that last order, for some reason I thought this was not to be released so soon. Oh well, next order.
Because Band Two sounds a bit like Band One is no reason to discount the work of Band Two as derivative, or Band One as obsolete. Especially if Band One aren't well-known outside their home city (and maybe not even in it), and Band Two are quite a bit younger, right out of music school in the past few years, and probably unaware of Band One.
By the way, does the first Bubblemath album remind you of the first Mr. Bungle? I just re-listened to Such Fine Particles..., for probably the first time in at least ten years, and that hit me. There's the same young-guy energy level and profligate inventiveness, a similar kind of all-over-the-place kitchen-sink aesthetic, and a similar love of bad jokes and sick humor.
I'm gonna buy this spending moneys gotten through wage. I think they sound like Twisted Sister fused with Rudy Vallée.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
One thing nobody's mentioned yet: From the one song posted, the production on Edit Peptide is light-years ahead of that on Such Fine.... The music's just as dense and busy, but all the parts can be heard rather than blending into a sort of thick brown overcooked audio soup. Which, with that much going on, is no small achievement.
For some reason I thought Sensual Con was an old song that has been floating around for a while. Anyone know? Still love it, just curious.
We uploaded an early version of that song on YouTube in July 2014.
The version that's on Edit Peptide has been fully overhauled; completely remixed from the ground up, with fresh mastering.
As Baribrotzer has astutely (as usual!) and correctly (as usual!) noticed, you can definitively discern all the parts in this final version.
If you missed it, Routine Maintenance was played on Deep Cuts #146. It's...really, really good. Very excited for the new album.
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