I have the utmost regard for Trevor Rabin as a tremendously talented guitarist, songwriter and composer, but for me, his sounds simply is not that of Yes. Then again, my definition of the classic Yes sound differs from many here.
For me, the Classic Yes sound is that from The Yes Album through Close To The Edge. With Bruford's departure and White's arrival, Yes's rhythm section got MUCH heavier. Whereas Broof played a lighter, off-beat jazzy style, Alan was a classic rock drummer, creating a more direct sound (which is something I think Squire was looking for).
For me, Relayer doesn't really even sound like a Yes album, even though it is among my desert island disks. Howe's Telecaster sound, combined with Alan's heavy drumming and Moraz' decidedly jazzier approach to keyboards, gave this incarnation of Yes a vastly different texture, a texture that partially returned with Wakeman. Indeed, Drama sounds more like a Yes album to me than Relayer.
Compared to the output from YesWest, I greatly preferred the work by Anderson, Bruford, Wakeman and Howe, who captured the classic Yes sound rather well (Squire's absence notwithstanding, as Levin is a more versatile bassist, IMO). YesWest was a great arena rock band, as was mid-career Kansas, Asia, Boston, Styx and Journey (Genesis was more pop in the 1980s than arena rock). But for me, they simply were not Yes, anymore than 1980s ELP were ELP, Tull was Tull, or Floyd was Floyd. They became another band. Respected, but not beloved.
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