Originally Posted by
Frankk
SPOILER ALERT: Contains some specific description about songs
As fans, we want details about who played what, etc., but, yeah, TFF is not that type of band. Their albums are very heavy on production, even more so if the album has been years in the making, like The Tipping Point. A similar case is Guns 'N' Roses' Chinese Democracy, which took many years to get completed; many people played on it; when you have the final product, it's very difficult to track down who played what. Steven Wilson said in an interview (I don't remember which) that when fronting the task of remixing TFF albums (Songs from the big chair; The Seeds Of Love) there were hundreds of tracks for each song recorded in different times and different studios. Probably, Roland played some guitars, Chris some bass, but surely the most difficult parts where handed to session musicians. I see R. Orzabal and C. Smith more as composers than as players.
I've listened to The Tipping Point three times so far. I like it very much. Orzabal's compositions are more organic, while Smith's are more electronica, but both came with very strong material. Ironically, I think "The tipping point" is one of the weakest songs of the album (it's kind of repetitive with little variation), but, still, it's OK. "Rivers of mercy" is my favourite song of the album; it is absolutely gorgeous. At some point it quotes "Woman in chains". It fits perfectly, adds to the beauty of the song and is a nice detail for the fans. "No small thing" is my second favourite song. It's kinda somber for an album opener, but it is a very melancholic and beautiful sort of midtempo ballad; the arrangement of this song is majestic, especially the coda, which is breathtaking.
The bonus tracks are weaker than the album tracks, so it was a good decision to keep them out of the album, but they are OK songs.
Bookmarks