The quote below that features an exchange between per anporth and Scrotum Scissor, that I lifted from the Strangler's thread, certainly looks like a discussion to me, Ron. Perhaps you would be better served if you posted a thread defining exactly what a discussion is.
[/B]Quote Originally Posted by per anporth View Post
"The punks *loathed* the Stranglers. They were also one of the most offensively misogynistic bands ever. Sometimes, when a band is so blatantly unpleasant, it finally doesn't matter how good the music is..."
Srotum Scisser replied: "While it's certainly true that the communal punk scene more or less declared war on the band, and not only for the case of misogyni (although this was usually seen as the pretext for why The Slits and Crass refused to appear on the same bill as them and basically banned festivals and venues altogether if they booked The Stranglers), I know of bonafide punks of the time who have praised the early years of the group as some of the edgiest experiences they had in terms of concert attendances etc. One of the reasons why they were so controversial was exactly the point that they were so successful at provoking a subculture (punk) which itself foistered on the act of provoking the establishment as part of their ethic and aesthetic, thus perceiving The Stranglers' game as that of consciously minded fakeness and an ironic reaction to punk's core values. Of course, they pretty much started out as a pub rock group, Greenfield having earned a living from playing piano in a bar for several years and Cornwell having busked around the countryside with a repertoire mostly referencing Phil Ochs, Tim Hardin and John Martyn, and as for rock music they were mostly into 60s psychedelic such, being almost a decade older than the average punk of the day."
The Raven is an amazingly sophisticated work coming from a major, commercially established UK rock act at the time. There's not a single detail out of plan there, harmonically, dynamically, lyrically, sonically - and that ensemble chemistry between them was as steady and organic as that of any "prog" band. Obviously, Burnel was/is a competent classical guitarist with an extensive CV of contributions to "serious" music, so neither in terms of cultural criteria were they ever punk as definition goes."
Ha, ha. You just can't make this stuff up@!
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