Perhaps the best album Alice Coltrane recorded, "Journey in Satchidananda" is one of those records where everything comes together-- Alice Coltrane took her late husband's final bands and their spiritual sounds and eschewed the frantic extended improvisations in favor of a more tame and subtle spiritual groove. The results here are stunning.
The majority of the album is made of from a studio session recorded in November of 1970-- Coltrane, heard on harp and piano, is joined by Pharoah Sanders (heard exclusively on soprano sax), Tulsi (playing tamboura, an Indian droning instrument), Cecil McBee (bass), Rashied Ali (drums) and Majid Shabazz (percussion). The pieces are all set up in a deep spiritual groove by the rhythm section (particularly McBee, who really finds a pocket throughout), with an air added to the pieces by the presence of the tamboura. Coltrane's framing, on either piano or harp, is lovely, reminiscent of her works with John Coltrane, and her harp playing has evolved greatly even since "A Monastic Trio" (1968) to become very unique and exciting. Sanders, for his part, solos lyrically and rather restrained, and is far more melodic than he often was at that time. It's difficult to discuss highlights-- the whole thing is utterly superb.
The closing track is a less performance from July of the same year, with Coltrane on harp joined by Sanders (again on soprano) and Ali again, but also joined by Vishnu Wood (on oud) and Charlie Haden (on bass). The sound is remarkably different, with Wood providing the driving rhythmic figures and Sanders soloing even more delicately then he does on the studio track, and it makes for a fitting coda for the record.
I can't really recommend this album enough, it is one of the great spiritual jazz records. It belongs in the collection of anyone interested in this sort of music.
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