From what I've read about ELPowell, there was a big component of "Let's make a ton of dough!" about it. I don't begrudge musician making huge piles of money, but in ELPowell's case, the whole enterprise was poorly managed, they came nowhere near selling the amount of albums and concert tickets they thought they would and like that, it was over. I don't know how true it is, but the standard line is they made a total profit of $500 from the touring.
I saw them twice and the show at the Greek Theater in Los Angeles was great. A 6,000 seater, they sounded fantastic both sound-wise and musically. If they'd had the patience to write some more material (I like the album too, more than the ELPalmer albums from the 90's), tour at the appropriate level, they could have done some good things in the future. Alas.
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Ed Macan's book Endless Enigma isn't really the place to start. It's a prog-like 815 pages long for one thing and it spends too much time IMO ranting against rock critics that don't like prog and what he calls "the blues rock orthodoxy". He also gets too much factual stuff wrong and for me, the book took a big dive when he dismissed the live bootleg series as just more live stuff, why bother listening to more live versions of Tarkus? The lack of photographs is a turn-off too. The Forrester, Hanson & Askew book The Show That Never Ends: A Musical Biography is much more concise (254 pages) but it was a weird reading experience, they just quoted a lot of stuff that had been in the British music papers such as Melody Maker, Sounds and NME that I'd read years before. I haven't read Keith's book but the general consensus is that it's more of a "Well, it was Tuesday, we played a show and we drank a lot afterwards" kind of thing rather than an insight in to the music.
ELP in the 70's was a great story: one of the first "supergroups", two of the guys didn't get along at all leading to all sorts of problems, commerical and touring success almost immediately, state of the art live shows culminating in the BSS tour, the hiatus, the failed orchestra tour, touring to recoup all the money they lost on that, Love Beach.
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Those have been on my radar. I have Macan's Listening To The Future so I know he can rant with the best of them. Still was a thought-provoking read. Normally using quotes from other sources would bother me if I read the sources (Rush immediately comes to mind) but it might be fun if I have limited familiarity.
Was always a huge fan of the music, but it never went much further than that in the case of ELP. I would hope Keith's book would be more substantial. Perhaps I should abandon that halfhearted search too.
Thanks for the rundown.
Greg Lake is an endless Enigma! His album has been 18 years in the making, he keeps an incredibly low profile. His whole career since the late 70s seems to have been one huge missed opportunity. I quite like his solo stuff, he's a good singer and songwriter. Is he lazy or scared to do more?
Listening To The Future is a Bill Martin book. I read that one (and another Martin one, I forget what that was) in a library.
I don't have a problem with Macan taking the critics to task- they've dished it out so should expect it back, even if it's decades after the event!
Last edited by JJ88; 03-14-2016 at 03:42 AM.
Re critics I ve just re read some mid 80s Sounds/NME reviews of ELPowell and it's quite astonishing ( and totally unprofessional) the lack of comment on the music. It's literally a self appointed personal vendetta with no attempt at considering the music. Some reviews make no comment at all about the music. Just personal attacks. Where were the editors ?
I remembr Andy Kershaw on Whistle test annoucing that "The Worst Band Ever" had reformed with ELPowell, and that was it, not even a review or a feature.
^Alas, not quite- I heard his sneering narration on an ITV series called 'Pop Gold' a few months ago.
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