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Thread: Modern Day (1990s and beyond) Influential Boundary Pushing Rock

  1. #1
    Member Just Eric's Avatar
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    Modern Day (1990s and beyond) Influential Boundary Pushing Rock

    The fantastic Estradasphere featured CD coupled with The Mars Volta coming up on shuffle during my commute this morning, made me think of the wonderful musicians/bands that have pushed the boundaries of Rock the last couple of decades. So, yes, this is another list thread and here are the guidelines .....

    My list is going to be bands that aren't primarily derivative of 70's Prog, also body of work is important, including robust discography and/or live performances.

    This list is in no particular order -

    Mr. Bungle and prodigy. Not only did Trey, Trevor and Mike seriously push boundaries, but they've continued a legacy of experimental exploration that transcends several bands worthy of this list, including - Secret Chiefs 3, Fantomas, Tomahawk, miRthkon, Estradasphere, Orange Tulip Conspiracy, Atomic Ape and more.

    Toby Driver - maudlin of the Well, Kayo Dot

    The Mars Volta

    Sleepytime Gorilla Museum

    Chrome Hoof

    Ephel Duath I debated putting ED on the list as the foundation is clearly Black Metal. Experimentally they clearly fit the bill.



    Who makes your list?
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  2. #2
    N... N-Neal M-Mor...se?
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

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    Member Just Eric's Avatar
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    Quote Originally Posted by Scrotum Scissor View Post
    N... N-Neal M-Mor...se?
    Whup-pah! (That's the sound of me whipping your suggestion out of this thread!)
    Duncan's going to make a Horns Emoticon!!!

  4. #4
    Member zravkapt's Avatar
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    Adding to what's in the OP

    Tortoise
    Don Caballero
    Unexpect
    Cynic
    Deerhoof
    Radiohead (for what they did at the turn of the millenium)
    Battles
    Alamaailman Vasarat
    The truth will set you free, but first it will piss you off

  5. #5
    Quote Originally Posted by Just Eric View Post
    Whup-pah! (That's the sound of me whipping your suggestion out of this thread!)


    I'd still add the following:

    Time of Orchids - taking even the distant remnants of 'symphonic rock' to places they had never even thought of going, alas they wouldn't have known of those places before. Progressive "prog" bands are getting all the more rare these days.

    Make a Rising - accessible, brilliantly melodic, colourfully inventive and adventurous. And beautiful!

    Alec K. Redfearn & the Eyesores - a fresh look at and take on 'song'. Same, same but oh so positively different.

    Capillary Action - albeit only the So Embarrassing release. They quickly steered away from this 'progressive' phase.

    Zs and Extra Life - endpoint for 'rock' as recognizably organized sonic phenomenon, I believe. Ravishingly powerful at times.

    Normal Love - the most intricate 'rock' band ever to assemble. Some of their stuff is compositionally complex out-of-this-world.

    Cheer-Accident - they transcend every conceptual boundary even on unimaginary meta-levels. And they're groovy without the artificial cool.

    Orthrelm - the zaniest and most extreme sound unit of our day and age.

    and classic Don Cab, who even sported a substantial audience - as did Tortoise in their prime.

    And these were only some American ones.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

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    Gastr del Sol
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  7. #7
    ^^

    Both excellent calls!
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

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    Neguru Bungent - Tau
    Enslaved - In Times
    Barren Earth - On Lonely Towers
    Finsterforst - Mach Dich Frei

  9. #9
    Sebkha Chott (I think that is how it is spelled?) springs to mind. Not every day you hear salsa mixed with death metal growls in the same tune.

    Not sure how popular these cats are around here, but Final Fantasy/Owen Pallett did some pretty interesting/awesome stuff, converting chamber music into pop songs (at least to these ears, it felt kind of fresh).
    If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
    https://battema.bandcamp.com/

    Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com

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    Member Just Eric's Avatar
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    Quote Originally Posted by battema View Post
    Sebkha Chott (I think that is how it is spelled?) springs to mind. Not every day you hear salsa mixed with death metal growls in the same tune.

    Not sure how popular these cats are around here, but Final Fantasy/Owen Pallett did some pretty interesting/awesome stuff, converting chamber music into pop songs (at least to these ears, it felt kind of fresh).
    I thought I was the only one on this board who drools over Owen Pallett, for his music and creativity.

    Negura Bunget is an awesome choice in the Metal realm.
    Duncan's going to make a Horns Emoticon!!!

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    Member moecurlythanu's Avatar
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    I think "influential" is the fly in the ointment here.

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    Member Haruspex Carnage's Avatar
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    Had tons of respect for Omar and Cedric but not any more with this Antemasque crap...great thread though, keep it going! i don't have too many to recommend though off the top of my head.

  13. #13
    Quote Originally Posted by Just Eric View Post
    I thought I was the only one on this board who drools over Owen Pallett, for his music and creativity.
    Sweet! Yeah, I dig his stuff quite a bit, ever since 'He Poos Clouds.'
    If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
    https://battema.bandcamp.com/

    Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com

  14. #14
    I'd add:

    Mogwai
    St. Vincent
    Sleepytime Gorilla Museum

  15. #15
    Quote Originally Posted by battema View Post
    Sweet! Yeah, I dig his stuff quite a bit, ever since 'He Poos Clouds.'
    Thanks for the Owen Pallett heads up. I just listened to some of his music and really dig it!

  16. #16
    Tyondai Braxton's first solo album was astounding, I think.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  17. #17
    Boo! walt's Avatar
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    Talk Talk's 1991 masterpiece "Laughing Stock" deserves mention.
    "please do not understand me too quickly"-andre gide

  18. #18
    Quote Originally Posted by moecurlythanu View Post
    I think "influential" is the fly in the ointment here.
    Not necessarily so at all; of course, you'll often have to actually move outside of the "[usual] prog" to notice that influence, but many of these acts have indeed informed numbers of artists whose music is mostly referred to as "hard to classify" or thereabout.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  19. #19
    Member since March 2004 mozo-pg's Avatar
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    I like Mars Volta.

  20. #20
    There are differences, IMO, between boundary pushing and boundary blurring; the latter of which is more often the case with more recent music, if one really thinks about it.

    Anyway stuff not yet mentioned:

    Neurosis, Thinking Plague, John Zorn/Electric Masada, Boredoms,

  21. #21
    Member zravkapt's Avatar
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    ^Most of those weren't mentioned yet because they started out in the 1980s.
    The truth will set you free, but first it will piss you off

  22. #22

  23. #23
    A few more that spring to mind, although most of these would probably not quite fall exactly under "rock":

    Ulver
    3rd and the Mortal
    Bjork

    There's been quite a bit of genre-pushing in the realm of electronica as well, although again, probably not quite "rock."
    If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
    https://battema.bandcamp.com/

    Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com

  24. #24
    ^

    3rd. & the Mortal had their definite starting point in rock (i.e. doom metal), so I would indeed count them in. Ulver, too, correspond with that kind of story - although I have to say that I never really found their total output anywhere near as 'groundbreaking' as, say, that of Toby Driver's or Charlie Looker's. Ulver HAVE made some very interesting music still.

    Björk quite obviously started out (professionally, that is) with The Sugarcubes - who were also very much a rock (i.e. post/art-punk) group. The influx of electronica probably shouldn't be perceived as any more diminishing to the overall idiomatic adherence than folk- or jazz-infections were to the rock Identity of King Crimson et al. back in the day.

    Of course, if you'd mention Autechre or Squarepusher then I'd agree with you - they are rather electronica artists with a serious influence from rock, rather than the other way round.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  25. #25
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    Squarepusher yeah, with Autechre I don't see any rock influence. I think they're both boundry-pushers (along with Aphex and maybe u-ziq), in particular I think Autechre is some of the most important music that's come out over the last 20+ years (my god, Tri Repeatae is 20 years old!?) I think they definitely push the boundries of music in a big, big way.

    In fact, a lot of modern electronic artists do - I've mentioned Max Tundra and Dan Deacon before, relistening to some Deacon I've really come to appreciate the man's ability to make an artform out of total sensory overload and create music that simply wouldn't have been possible a decade or two ago. As far as more proggy stuff I've always thought Underworld do a great job of pushing forward in that context, again they're almost certainly one of the most important groups of the last two decades (in my little closed off world)
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