Didn't Tony play 12-string on "Entangled," too?
Didn't Tony play 12-string on "Entangled," too?
Music isn't about chops, or even about talent - it's about sound and the way that sound communicates to people. Mike Keneally
As near as I can tell, Tony played 12 string on the following songs:
The Musical Box
Lover's Leap
The Cinema Show
Entangled
There's probably a couple others I'm forgetting. But I think at least during the Hackett era, the rest of the time you hear double 12 strings, it's Mike and Steve. I know Tony is credited with playing 12 string on Duke, but I never been sure where it occurs on the record. And I still don't know which songs on Tresspass he plays guitar on.
Genesis always played 12 string---as a group--Tony, Mike and the guitarist---don't know if Anthony came up with that idea---I would think it was something they all came up with at school together--- they liked the sound.
Pretty sure Tony played 12-string in 'Stagnation' and 'Dusk', and maybe even 'White Mountain'. According to interviews he played a lot more 12-string in the early days on the material between FG2R and Trespass. Definitely 'Cinema Show', and 'Entangled'. My comments about him playing on the CAS tour were just as a curiosity item.
So here's a question: I've thought about picking up some of Phillips solo stuff for some time. Where should I start?
For traditional song-oriented albums I think everyone would agree you can't go wrong with Geese and the Ghost, and Wise After the Event.
For instrumental albums, my vote goes to Slow Dance (for an orchestral feel), Ivory Moon (all solo piano pieces!) and New England. I must admit that the all acoustic instrumental albums can get a bit tiresome, for me anyway
There's no doubt you should try Geese And The Ghost, Wise After The Event and the Private Parts And Pieces vols. I + II 2-CD set. For the new listener, those are your best bets.
I have his entire catalogue, and I like almost all of it, but there's no point in overloading you with recommendations. Start with any number of those I mentioned above, and enjoy!
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
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Hey Progaton -
Major Thumbs Up to you for that answer. It's always frustrating when people give a list of thirty albums or are vague with their recommendations. Thanks so much for your succinctness!
Well, I can only speak for the ones I own. I have everything he's done (with the exception of the recent 5-disc Harvest retrospective box and the Geese 5.1 edition), mostly the excellent 2-disc Voiceprint reissues that began in 2008. I highly recommend those as they are done exactly the way I like, with all the rarities and extra tracks on disc 2, and the album proper left alone on disc 1 - as well as nice booklets in each of them. The first ten volumes in the PP&P series are on five 2-disc sets as well. I enjoyed building my A.P. collection, and these reissues were an excellent way to get the job done!
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 3 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
PP&P V "Twelve" is one of my favorites - 60-minutes of solo 12-string based on the months (and yet another double entendre title I didn't fully fathom until composing this post!).
Slow Dance is another favorite.
Problem with Ant's releases are at one point or another they're all 'favorites'. PP&P IV "Catch at the Tables" is frequently omitted, yet I feel it's one of the best PP&Ps.
It might be easier to list the ones newbies should steer clear of:
Invisible Men
Finger Painting
Sail the World
There's a letter sent in by a fan in the latest Prog Magazine after he recently saw Mike & The Mechanics. He told Mike he was a big fan of the early stuff to which Mike replied-"I don't listen to that shit anymore"!!!
"Airbrushed out"?? I guess it's a personal impression... I sometimes feel like Hackett would have more right of feeling that way that Phillipd does
Not sure about this... or else, he wouldn't have reacted like he did...
OK, i realize that maybe someone (journalist) sought and provoked a reaction of his, but I'd have a hard time believing that Ant would not realize this would be printed somewhere on the net of music mags
But he's right about a quiet and private life
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
It's not prog (mostly) but I actually like the sweet innocence of Ant's attempt at early eighties pop. He's so guileless when he sings songs like "Golden Bodies," "Love In A Hot Air Balloon" or "Sally." Probably most prog fans wouldn't like it, sure, but I enjoy putting it on from time to time when I'm in a pop mood.
"Arf." -- Frank Zappa, "Beauty Knows No Pain" (live version)
Why are musicians criticized for themselves being critical of their own work?
It's quite possible that quote was taken out of context, and we don't know what Mike's tone was when he said it -- I've a feeling it was part of that dry, self-deprecating English wit that often gets "lost in translation".
I won't begrudge him if he doesn't like that old stuff -- doesn't detract from my enjoyment of it at all, and it does not lessen my appreciation for Mike as a musician or composer.
"old shit"? And how old is the M&M stuff he's now touring with?
I've got a bike you can ride it if you like
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