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Duncan Glenday

What Is NEO Progressive Rock?

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I'm planning to post a series of blogs along the lines of "What Is..." - which will describe my personal take on several genres or sub-genres of music.

To kick the series off - here's a personal take on the "What is neo?" question.

Despite certain artists vigorously denying it – “neo progressive rock” is in fact a sub-genre of prog.

In the late 1970s, progressive rock appeared to be on its last legs - but there was a resurgence of the genre in the early '80s. It was led by British acts Marillion and IQ, and assisted by Jadis, Pendragon, Pallas, Twelfth Night, and several others. The term "neo" was originally used to describe this "new" wave of progressive rock - but today, the word has morphed, and - in the context of progressive music genres - it no longer means "new". Instead, it now describes the style of music played by that group of early ‘80s artists.

So today "neo" progressive rock is based on the style of early Marillion and IQ - which, in turn, is:
  • Rooted more in Genesis, than in any of the other big 5 / big 6
  • Often (but not always) more song oriented than (say) symphonic prog
  • Fairly approachable, usually with one or two almost radio-friendly tracks per album ... though that does not make it 'pop'.
  • More-or-less the standard rock lineup – i.e. vocals, guitar, bass, keys, drums – and only rarely do other instruments play any significant role the mix.
  • Strong melodies with a focus on vocals, usually delivered in a Gabriel-esque style
  • Very appealing guitar work
  • A strong keyboard presence, usually with lots of 'Trons, Hammonds and Synths - either genuine or sampled
  • Frequent big walls of sound
  • Good musicianship
  • Emotion-laden, sometimes dark moods to the songs (the up-beat Jadis is a notable exception)
  • I’ve sometimes heard it said that neo incorporates an element of punk.
  • Finally - it's often hard to draw the line between Neo and modern-era symphonic prog.


It has become fashionable it denigrate neo in some circles, which explains - in part - why many artists in these genres avoid the label, or deny that it even exists.

But, quite clearly, it certainly does exist..

Finally - neo prog does not include acts like Spock’s Beard, Porcupine tree, or The Flower Kings. They fall into 3rd wave - a completely different subgenre.

Examples:
Marillion (both - the Fish and the H eras)
IQ
Pendragon
Arena
Jadis
Knight Area
Iluvatar
Twelfth night / Casino
Strangefish (sorry, Uschi)
Landmarq
Big Big Train (not including their newest CD)
Pallas
Credo
Sylvan
Kino
Frost*
Tantalus
Fish
Crooked Mouth
Merchants Vice
Almost everything Clive Nolan ever did - including the band they CYNICALLY named "Neo"
And maybe Magenta

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Comments

  1. Trane's Avatar
    Hey Duncan,

    that's about as accurate a description I could've read anywhere,

    I know your list is not exhaustive, though a few of the names you cite are unknown to me. I can think of Twin Age (the Swedish band), Aragon (Austr), Asgard (It), Collage (Pol) as other examples, plus a few Japanese bands
  2. arise_shine's Avatar
    That seems pretty comprehensive. To me, the giveaways for "neo" (and I really don't mean this derisively .. I like the genre as a whole) include lush synths, and a stereotypical guitar sound that alternates between "spricky" rhythm parts, arpeggiated chords, a reverb/delay-effected clean sound, and "soaring" melodic leads. Marillion's mid-80s sound and Pendragon's 90s sound are the stereotypical sounds. I think the "punk" influence was more of an 80s thing, though, since almost nothing I hear from the 90s onward resembles punk.