This tune rips.....How is the rest of the record...Any Fans????
This tune rips.....How is the rest of the record...Any Fans????
Very good album. Side B begins in a very similar vein with the title-track (another Jenkins tune) followed by an extended Holdsworth solo ("Land Of The Bag Snake"), then a couple of angular Ratledge tunes (his last for the band) which help give the music a unique edge that isn't a mere imitation of US jazz-fusion. The album ended with a long atmospheric piece, "Floating World", which was used as an intro to the band's performances (and probably works better in this capacity than as a non-climactic end piece). As for the rest of the "Hazard Profile" suite, it continued with a neo-classical acoustic guitar/piano interlude (Toccatina), then gradually returns to full power culminating with a frantic section with Ratledge soloing on AKS synth over a fast cyclic riff. Overall, little in common with early Soft Machine but, taken on its own merits, a really great album.
btw, Cuneiform have just officially announced that an official release of the July 1974 Montreux Festival performance of the whole album is due for release as a CD/DVD combo. This gig actually pre-dates the recording sessions for "Bundles" by a mere two weeks.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
I think that if this was released by some other band that did not have the name Soft Machine it would have gotten a lot more respect. That said,
The "Song For The Bearded Lady" riff provided the basis for "Hazard Profile", but it's much extended and developed upon rather than merely recycling it. But certainly Jenkins' individual, riff-based style was first displayed, and impressively so, on the first couple of Nucleus albums, for which he was the main composer. I'm a big fan of the first ("Elastic Rock") in particular. Of course they both have John Marshall on drums too. So, no wonder the "fusion" era Softs owed a big stylistic debt to early Nucleus, since compositionally Jenkins was at the helm in both.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
The rest is quite fine. My fave SM, along with Fourth. Brilliant album.
Bundles is great. It's probably my most played SM album.
My favorite Soft Machine album. I'll definitely look for that '74 Montreux release as well.
Bill
Not much to add to what Calyx wrote. Highly recommended...but perhaps best not to compare it to Soft Machine of old, this is very different, somewhat more conventional I think. I like 'Floating World' though, I've always liked those sort of ambient pieces.
If you like this one 'Softs' also has a very solid first half. Never really got into the second, which is a bit wishy-washy light fusion at times.
Agreed - a significant portion of "Softs" is performed with basically the sound of "Bundles" (Ratledge on fuzz organ, Jenkins on electric piano - rather than acoustic piano/string synth on the album), and of course almost the whole of "Bundles" is in there too. A very smokin' performance, and probably the best sound quality (& mix) in the whole Newcastle University series by MLP (also including Gong, Caravan, Renaissance and Nucleus).
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
This is where I got off the bus. Well executed, but I just wasn't interesting in hearing SM with fuseoid guitar.
Hell, they ain't even old-timey ! - Homer Stokes
If you like Bundles I highly recommend "Floating World Live"
http://www.moonjune.com/mjr_web_2013...sworth_MJR007/
mine as well... I like all of their albums because of the very fact that each album is a different beast
the addition of electric Guitar was the logical next step and brought them more into the Rock end verses the more Jazz sound they had earlier
Etheridge kicks ass on the Softs album too, filling Holdsy's shoes quite well
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
I gotta spin this again, it's been awhile.
no tunes, no dynamics, no nosebone
Had the LP back in the 80's. I always liked that Jade Warrior-sounding track (assume it's "Floating World"). Wonder if it's a tribute, since JW had an album with that title.
"Floating World" refers to a concept in Japanese culture:
http://en.wikipedia.org/wiki/Ukiyo
I like this one a lot, will probably get the cd/dvd
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
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Probably my fav of SM. I prefer this style more than the first few albums. Every few years I'll play Third to see if it finally clicks, but it never does.
^
Bundles has always been my favorite SM album too, and it is historically probably one of my top five favorite albums ever, but in regards to placing it in SM's discography I admit that my 3+ decades-old Holdsworth fascination has caused a heavy bias towards Bundles. Although I have most of the other SM stuff I really can't claim appropriate familiarity with enough of it to really make comparisons and contrasts to the greatness of Bundles. So that needs must change!
Despite the mighty Holdsworth's mind-bending playing (some of his best ever), I've always felt that Bundles is pretty well fleshed out by all the parts and sections whereupon he was NOT soloing heavily. It's all good, in other words.
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