Second Thoughts is a prog album, too, though most of it is a re-recording of songs from MN.
You’ll find about as much prog on this album as you’ll find cheese in a loaf of headcheese. And that includes that annoying song where they screw around with a synthesizer.
I guess the “Fanx Ta-Ra” suite was probably an outgrowth of their work with Dave “Mandalaband” Rohl. It’s more fusion-y than one would expect based on that, though.
It was their psychedelic indulgence; most bands were entitled to at least one in the late 60s (see also the Buckinghams’ Portraits and Tommy James’ aforementioned Cellophane Symphony). They also took stabs at blue-eyed soul (Chameleon) and proto-disco funk (Who Loves You). The title of Helicon (the flop follow-up to Who Loves You) suggests that it is the fabled full-blown prog experiment we were all wishing they’d do, but sadly is not.
Whether his early albums were prog or not, they certainly were overblown and pretentious enough to be equated with prog albums.
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