to some people they do... and to some people they don't.... that said it's hard to find someone who's actually bothered to listen to them all....
to some people they do... and to some people they don't.... that said it's hard to find someone who's actually bothered to listen to them all....
Thank you Um I dunno really, The Bridge is probably the most like that on the record, although the rest of it is a bit more all over the place. Porcupine Tree have never been a big band for me and I've not heard a lot of their stuff, I like Jesu and Celtic Frost and Cardiacs more so perhaps that's where the doomy minor thing is there. It's hard to judge.
And as mentioned whilst this track of Matts is possibly the track most in that style albeit instrumental, the album is actually as Matt describes a bit more 'all over the place" Whatever, it is we think a great instrumental and as you can see their are guys out there like Matt ploughing some very individual progressive fields, Have to say personally I don't like the Cardiacs music at all, maybe it's a bloke thing? I have tried, I know it seems sacrilege on here to say that!!! I think maybe that's just a bit too far out for my taste.
It may just be a matter of taste. If I hear a Prog band I've heard before, even the more obscure bands, I almost always, if not always recognize the band. Just this morning, I heard Unifaun on the Canvas Prog Hour. I knew immediately who it was, even though it'd been more than a year since I've heard them. I didn't confuse them with any other Genesis style band. If it's a band I've never heard but like, I know right away I've never heard them, but plan on buying the album. Similarly with Classical, I know instantly if I've heard a piece or composer before. I don't always remember bands or composers by name, but then I'm bad with names in life generally.
Conversely, other genre's sound the same to me. I hear nothing unique about bands/artists in Alternative, Indie, Country, Hip Hop, or sub genres of Metal other than Prog. These are genres I don't particularly care for, so it turns into a mish-mash of sound in my head. But if you ask any kid who's into Indie, they'll be able to identify Indie bands upon hearing them. They (and most people for that matter) will say all Classical sounds the same to them. Again, a matter of taste.
"Well my son, life is like a beanstalk, isn't it?"--Dalai Lama
It's not that they sound the same, they just don't sound different.
NEVER UNDERESTIMATE THE POWER OF STUPID PEOPLE IN LARGE GROUPS!
My thought is there was variety then, and variety now-but the overall bent is much more dark and ... foreboding, heavy etc... now, due perhaps to a fusion of 90s rock and prog. In the 70s there was a lot more of a 'free spirit' feel, for lack of a better world. The music (and the times) were much more positive. You have some bands like that today, (glass hammer, cirrus bay, etc...) but they tend to be labeled for it. Porcupine Tree is more the norm. I think they would have been much less the norm in the 70s.
Yes they do! Because in order to be included on a post "Kerrang" mag you must be a post-heavy metal band whose "progressive" influences are:
PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD + PINK FLOYD + PORCUPINE TREE + RADIOHEAD...
Response to those making long lists of prog styles - A lot of what the "prog crowd" subsumes as prog simply isn't prog.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
It's not though, electronica is electronica, metal is metal, jazz is jazz, avantagarde is avantgarde, modern classical is modern classical etc.
Only proggers who like it call it prog & try to include it in prog. Everyone else calls it electronica, metal, jazz etc.
I'm afraid the concept of "genre" doesn't work that way; most idiomatic descriptions denote (subjective) positions on inherent qualities in the music at hand. "Avantgarde" is not a genre; by definition, the debut King Crimson album was a work of avant-garde in rock. This doesn't render it any less of a "progressive rock" album. BTW, your beloved Cardiacs are mostly not defined or recognized as neither a "prog" nor a progrressive rock group by anyone else than those "proggers" you refer to. Go figure; perhaps they should be banned from discussions in here.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Well I disagree, the average Joe knows what he means when he says pop, metal, jazz or classical and knows them as genres. It doesn't need to be more complicatred than that, and for most people it isn't. Overanalytical music fans bring a whole new set of problems to the table, which simply confuse the heck out of most people to a level that they aren't interested in anyway. They just want to hear the music.
Are Echolyn and Deus Ex Machina and Mr. Bungle "modern prog" bands. They certainly don't call themselves that, but it is their right. As fans of the genre / approach we are free to classify as we wish, too. So are they? Do they sound the same?
So, if you call it prog, it is prog, because that means you are a 'progger who like(s) it and wants to include it in prog'.
but
if you have a skepticism of genre labels and don't want to call it 'prog' for any number of reasons, it isn't prog, because you don't want to include it in prog?
That means we can't consider Duke Ellington, Charles Mingus or Miles Davis 'jazz', y'know?
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
on the positive side, I have happily spent the last 30 years not releasing prog!
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
^ ^ ^ ^ ^
where's that god damn LIKE button...
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
ALL PROG IS ONE.
"Corn Flakes pissed in. You ranted. Mission accomplished. Thread closed."
-Cozy 3:16-
Define "prog".
Seriously, this is an entertaining read. I think people just want to define progressive rock however they want to, and seem to enjoy inflicting that definition on others. I will say that my definition of progressive rock used to be almost entirely symphonic music (with a bit of eclectic, avante stuff thrown in......usually based on instrumentation). Over the years though, I've more or less thrown that definition out the window, because I realized that I like a lot of music that defies straight up genre classifications. Personally, I still like the "derivative" bands just as much as the "cutting edge" bands. It's all good music.
I DO sense that the "doomy, dark and gloomy" approach the OP mentions is certainly the dominant trend in the "prog" rock world. Porcupine Tree was arguably the most popular of "modern prog" bands for quite some time so this isn't really surprising (also, there seems to be a trend amongst "neo" and "retro" bands to add more cruchy guitars and metal elements in the past decade or so...........something I find unpleasant usually).
The one you didn't comment upon Henry is the Sontaag track which kicks off the disc and is quite unlike the rest, it caught my attention straight away... Captain Lockheed and the Starfighters, filtered through an Orgone Accumulator, and given a sharp kick and a twist....
Surely we need to agree on what is prog before this question can be answered meaningfully?
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