Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
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“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
I just want to live in a world where "On Suicide" from "Hopes And Fears" is a top-40 hit. Is that so wrong? I think the times are right for a 45-reissue...
John, if you listen to "In Two Minds" it gets to be quite obvious; how this now was about the song and the message therein - rather than sbout the message concerning the song. Wa there ever a tune as profoundly -simple- as "In Two Minds" on any HC record?
The fact that there were other plain virtuoso songs on there as well ("Moeris Dancing", for instance) doesn't elude this.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
To say nothing of how they nicked the sound of the chorus - if not the actual notes - from The Who. So you're saying that the point of "In Two Minds" wasn't the musical language or the political slant of the lyrics - it was really about what it appeared to be about: a girl in early adolescence, depressed or just stressed out by life, whose parents wouldn't leave her alone to try and work out for herself that maybe the problem wasn't her, it was what others expected of her. I wonder whether that song was about Dagmar's actual life experience, perhaps something she talked about to the rest of the band and Chris turned into lyrics; I do know that she was, and maybe still is mentally fragile.
"War" isn't very complicated - although, being that it's by Moore+Blegvad, it might not count as a canonical HC song.
^ I respectfully disagree big time on "War"; the basic thememelody is not only polyrhytmic but effectively joints what could have been two separate lines of metre - and the mid-section with Mongezi Feza is not exactly your standard fare.
One of my fave Genesis-songs was always "Harold the Barrel", which makes some of the same moves as "War"; and it pretends to be simple, yet is anything but.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Book ordered.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
If it isn't Krautrock, it's krap.
"And it's only the giving
That makes you what you are" - Ian Anderson
Here's my sole input: I just love Henry Cow. They play with form & expectations with brilliant musicianship & a hefty dose of saucy humor.
Sleeping at home is killing the hotel business!
Wow, all these years I had thought that Art Bears would be even more performance based and more "difficult" than Henry Cow, simply because they came after. I thought I would need to have a solid handle on all of HCow before even attempting the Art Bears stuff -- no idea where I got that idea from. It sounds like I was way off. Serves me right for not doing my homework!
I know what you mean about the persistent notion that people who like the avant garde stuff cannot appreciate any other kind of music (least of all "regular" progressive rock). It is tiresome.
Good advice, Steve. Thank you.
I've taken that approach before, and it has led to some wonderful discoveries -- Pat Metheny Group, Kenso, Brian Wilson, even Magma. So I'm not sure why I psyched myself out on this one.
Thanks, Frank.
In light of all this, I'm off to check out some Art Bears!
And I'm certainly glad they carried on, those Art Bears albums are wonderful!
Chris also tells the story of how Art Bears came about here: http://www.ccutler.co.uk/rioartbearsff.htm#artbears
Still not sure what that extra CD is called?
I just sent the master off a few days ago, it's called.....prepare yourselves...."COW BONUS 2019".
It has newly discovered recordings never before released, it's even got a late 60's pre-Cutler HC demo, and lots of other studio and live recordings recently found by Chris and from people who recorded them. As usual I spent a LOT of hours trying to get the best from this batch of wildly varying quality recordings,it all came out really good. I think any Cow fan will be pleased.
BD
Last edited by Bob Drake; 10-05-2019 at 04:54 AM.
I am not sure if the content of that CD is final yet, or if Cutler plans to release even more CDs. Just a few weeks ago he asked if I had some concert tapes which hasn't already been released. Which I have, but probably not in a sound quality that it good enough for a release. I sent him some extracts from the Scandinavian tour in 1976, the same tour where they did the Trondheim concert and the Göteborg concert which is on the Stockholm & Göteborg CD in the Box. It was pieces from Sundsvall and Helsinki. He was very interested in that. So if anyone here have low generation and good sounding tapes or sound files, or know where to find the original, I think that he would be very happy to have it.
I have a friend in Oslo who has live recordings from Oslo not published.
He has mentioned & offered them for Chris several times (also in person, I was there), but Chris never returned.
Dunno why.
Last edited by Zeuhlmate; 10-05-2019 at 05:06 AM.
My list of unofficial Cow recordings...
https://www.keepandshare.com/doc19/2...s-pdf-97k?da=y
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
One of these (sorry - can't remember but I think it was the June 10th one) was recorded by me on a little hideous mono cassette machine with a built in mic:
1977-06-10 Southend-on-sea aud 89:53 D 2011 (periplo?) [aka London, Queen’s Hotel]
1977-06-12 Guildford *aud 106:19 (sonic residue 2011) [aka 1977-06-06] tctwb
These are the two shows I saw.
My tape sucked dogs and I got rid of it a long time ago but I probably made copies for a couple of folks and that's where it would come from.
I also taped opener Etron Fou.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Hey unclemeat,
Perhaps you could shed some light on this-
In my soulseek days I seem to recall someone with many live shows of HC related stuff,
I downloaded many in mp3 format and as I rarely listen to digital they got lost down the road.
However I remember one specifically - a show by Duck and Cover, seems to be taken from the radio (or a good audience recording) I think from a show in Germany,
I cant find any reference that such a thing even exist - did I hallucinate it?
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