My review of Paul Simon's The Complete Albums Collection, today at All About Jazz.
If the history books were to be closed on singer/songwriter Paul Simon's career today, he'd have already left a legacy more than sufficient to ensure a substantial chapter. While other emergent songwriters of his day—Leonard Cohen, Bob Dylan and Randy Newman amongst them—have clearly evolved over the years, there's been an underlying approach that's remained consistent across, in many cases, half a century. That's not to dismiss or denigrate these icons of song, only to say that Simon has emerged as a songwriter who has not just grown as a wordsmith and composer of catchy, memorable music (as they all have); he's the only one to have looked at the world around him, studying and subsuming advancing technology, diverse genres and, perhaps most importantly, the music of other cultures. It's a mindset Simon shares with the slightly younger British songwriter Peter Gabriel—despite their being completely different in their approaches—not just incorporating these diverse and sometimes disparate concepts into his music but, in the case of pan-cultural concerns, actually locating and working with many of the musicians he studied.
Nowhere is this clearer than on The Complete Albums Collection, which collects almost every album Simon has released, starting with 1965's The Paul Simon Songbook (Columbia, 1965) through to his most recent studio record, So Beautiful Or So What (Hear Music, 2011). Only the two-CD/1-DVD Live in New York City (Hear Music, 2012), culled from the limited tour Simon launched in support of So Beautiful, is omitted. Over the course of 46 years, The Complete Albums Collection follows Simon as he moves from acoustic guitar-slinging folk singer to jazz-informed popster, African and Brazilian-tinged world traveler, electro-centric explorer and, finally, consolidator of everything that came before.
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