I could read/watch interviews with Bruford every day and never tire of the guy. Loved this one too.
There's a terrific one with Jon Kirkman on Youtube where Bill talks mostly about the Bruford band and Earthworks. Terrific stuff!
I could read/watch interviews with Bruford every day and never tire of the guy. Loved this one too.
There's a terrific one with Jon Kirkman on Youtube where Bill talks mostly about the Bruford band and Earthworks. Terrific stuff!
Interviewer of reprobate ne'er-do-well musicians of the long-haired rock n' roll persuasion at: www.velvetthunder.co.uk and former scribe at Classic Rock Society. Only vaguely aware of anything other than music.
*** Join me in the Garden of Delights for 3 hours of tune-spinning... every Saturday at 5pm EST on Deep Nuggets radio! www.deepnuggets.com ***
Another great one, Anil - and, btw, great job on the liners for the new Sonar record - a copy arrived at my door yesterday from Stephan. Cracked it last night...and man, have they come a long way since the first one. I was unable to get time to review that one, but this one I'll be covering for sure.
Anyway, since you were here and I was here I figured I'd mention it; for those who've not heard Sonar, their first album was on Nik Bartsch's Ronin Rhythm imprint, but the new one is coming on Cuneiform - great to see Steve and Joyce pick up this one! - and it's appropriate. While the group is clearly part of the Bartsch axis, it has its own thing going, which is as much about the interlocking guitars of '80s Crimson (they cite that group and LTIA-era Crim as seminal influences) as anything else...what's great about the group is it's two electric guitars, electric bass and drums but minimal effects (a little reverb and delay and that's it), and based on a specific guitar tuning that gives the group its harmonic distinction. None of the typical guitar posturing - no solos to speak of, in fact; this is rigorously defined music, not unlike Bartsch in that respect.
Damn, there I go again. Didn't mean to derail the thread but am loving this record and wanted to give Anil props for some great liners....so back to you regularly scheduled programming
Best!
John
I enjoyed the interview. Thanks for posting it.
Wake up to find out that you are the eyes of the world.
Here's the 1998 question from the interview not currently on the site. I really should add it back.
We spoke in 1992, right after Fripp announced that King Crimson was reforming without you. I asked for your thoughts on that at the time. Here's what you said: "The reason I'm not involved is because of course, I'm a little difficult for Robert. Robert is better with sweet, smiling Americans, who don't really know what he's talking about. Unfortunately, I know exactly what he's talking about, and I'm not invited." What exactly was the problem between you and Fripp and how was it resolved?
[long pause] Nasty stuff. You caught me on a bad day! [laughs] I'm not sure I resolved the problem—Robert did. And there was a problem, yes. It was that I’m so associated with King Crimson and having another guy—I would pity him—go around the world playing my parts would be deeply unpleasant. The way Robert resolved it, and the way to accommodate Bill, is to have two drummers. The sextet started out as a quintet, and the question was "How can we accommodate Bill?" We have Mastelotto—the steady time keeper, and that's nice.
You know what, I'm going to get this whole 1998 interview back up on the site. Stay tuned. :-)
(and thanks John)
Oh, also don't forget about the recent Bruford interview (including discussion of his retirement) from the Innerviews ebook, now a free download: http://www.innerviews.org/book.html
No contradiction there, I believe - Bruford's interview was around the time the new line-up with Marotta was announced, so Spring 1992. Fripp's "double sextet" vision was supposedly later that year (mid-1992 I think). Bruford explains Fripp's decision in the pragmatic way HE saw it, which was not necessarily (and very probably not at all) Fripp's thinking. Of course you could accuse Fripp of disguising his pragmatic decisions under grand concepts and visions, but that would be very, very nasty and uncharitable of you.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Thanks for reminding me about my 1998 Bruford interview. I had *totally* forgot about it. I dug it up, remastered it and here it is:
http://www.innerviews.org/inner/bruford2.html
It's interesting that there are people that know the site's history better than I do!
I dunno if I'd call it "time well spent", and I get the impression from Bruford telling the story that he definitely didn't think it was time well spent. I think Bill preferred actually playing music, rather than sitting around talking about it.
If I was renting a recording studio by the hour, I don't know if I spend an hour sitting around talking to the engineer about EQ.
Yeah. Well actually, I can understand both perspectives.
I enjoy actually playing music, but part of the experience when making music with a group can be the conversations that take place about the music, techniques to use, etc.
That being said, it can be really boring for those who are not involved. I caught myself falling asleep during a discussion about vocal tracks while working on a song of ours in a studio, so I can empathize with Bill a little bit perhaps.
Bumping an old thread just to ask here rather than create a new thread...
Does anyone know why Bruford never put out any 80s Earthworks video footage? His Anthology releases cover the 00s and the 90s, and there's a standalone Footloose in NYC DVD, but despite there being some great 80s footage circulating around (see Youtube), nothing from the 80s appeared.
Well, since Dave went and dug up this zombie thread, I guess I should reply. If it was in fact bass EQ they were talking about, then yes, it WAS time well spent! Kidding of course, but seriously - this is Yes and Chris Squire we're talking about. I think they/he liked to spend money and there were probably countless conversations like this. And I can imagine Anderson spending an hour getting the lights dimmed just right and making sure the bales of hay were placed properly.
Bookmarks