A minute of song AtT was also played as part of a keyboard solo spot in the early days, as can be found on Keyboard Concerto on disc 3 of Scraping The Barrell.
To me, it's one of the most brilliant albums that the entire genre of prog has to offer.
I always though Missing Piece was the most accessible.
I've always been of the opinion that the very strength of GG was their exact ability to communicate tricky theory and technique in a most accessible and melodic manner. I could never understand how they would ever appear "inaccessible".
IMHO The first GG and Octopus are good. And 3 or 4 other albums contain a couple of good cuts. That's it. But damn there were good live
“One good thing about music, when it hits you, you feel no pain.”
Oddly enough, this is the only one I didn't have back in the day. I eventually picked it up on CD about 20 years ago and like others here, I think I prefer it, 3 Friends and Octopus to the ones that followed.
3 Friends in particular evokes a lot of good memories, so it's very difficult for me to disassociate that from the music any more.
Last edited by rottersclub; 12-11-2012 at 01:37 PM.
High Vibration Go On - R.I.P. Chris Squire
Oh, I forgot to mention, the thing that brings this album down are the truly pompous liner notes!
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
Overall, I think it's a rather uneven record. There are a handful of truly magnificent tracks there ("Pantagruel", "Edge", "Moon", "Cat"), but as with the debut, the hard rock stuff just doesn't quite work.
I'm still of the opinion that GG from Three Friends and up including Interview delivered the strongest string of coherent albums released by a progressive rock band - although I actually adore Henry Cow, Magma and 70s KCrimson more.
^^^^^ IMO, only "Plain Truth" keeps AtT from the "perfect" category, but I agree that Three Friends is their first fully-realized album...
Hell, they ain't even old-timey ! - Homer Stokes
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
Not their best, but good, experimental, but slightly trivial. With caution - how we're doing? You're doing well, of course...
It's funny as Acquiring the Taste has always been my least favourite GG album (I've got them all up to Interview) - guess I just never really managed to acquire the taste for it. 'Pantagruel's Nativity' I love, but the rest while all musically very accomplished just leaves me cold. All the other albums I consider to be very strong and find it hard to pick a favourite, though I'm partial to the debut (while their sound wasn't fully formed yet I just love all the songs on it - though it's probably also that that one was my introduction to the band).
Regarding the liner notes, to me, the notes on THREE FRIENDS are even more pompous.
High Vibration Go On - R.I.P. Chris Squire
I'm sure I've read both at some point. I don't recall a thing about them.
I want to dynamite your mind with love tonight.
It's no funny at least for me, quite understandable.
I love half of it - first two from side 1, and first two from side 2.'Pantagruel's Nativity' I love, but the rest while all musically very accomplished just leaves me cold.
Maybe you will like Missing Piece, it's their last classic album. Lighter than other albums, but partly very strong.All the other albums I consider to be very strong and find it hard to pick a favourite, though I'm partial to the debut (while their sound wasn't fully formed yet I just love all the songs on it - though it's probably also that that one was my introduction to the band).
An interesting position which I can side with for several reasons, the immediate being that - IMHO, of course - too much is always being bragged about the "complexity" of GG's music, whilst very little is ever mentioned in regard to its overt idiosyncracy or even eccentricity. To many a listener, it appears as if GG represents the outer limit to their acceptance of "progression" - beyond that there's usually only Kobaďan or RIO weirdo stuff which goes much too far into mental and/or aesthetic oblivion.
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