Mezmerize :
Adjectives like "ambitious," "jagged," and "startling" have always defined System of a Down, and their third official full-length is no different. Prerelease, the band described Mezmerize as being the first part -- the first side -- of what's essentially a double album. The records' packaging would even slot together, making the eventual Mezmerize/Hypnotize whole. Appropriately then, there's an intro to System's first new material since 2001's brilliant Toxicity. On "Soldier Side" Daron Malakian and Serj Tankian harmonize as they do throughout the record, and Malakian's guitar has a mournful, Eastern air. But it's just a lull before "B.Y.O.B.," a thrash assault pierced with rabid and incredulous screams. "Why do they always send the poor?" Suddenly the gears switch, and the song stomps in crunchy half-time as its lyrics riff with a sick grin on cultural ignorance. The government's lying, System's saying, but "Blast off!/It's party time." The vocal exploration between Tankian and Malakian on Mezmerize is a thrill -- they spur each other on like a two-headed hardcore hero. Their intermingling voices make "Cigaro" more aggressive, frantic, operatic, and totally bananas; they'd be triumphant over the break in "Violent Pornography" if they weren't spitting out lines like "Choking chicks and sodomy." The fantastic "Pornography" is a rusty shiv of absurdity, another example of System's ability to effectively skewer society with little more than hyper guitar, blistering percussion, and weird turns of phrase. Their volatile mix of righteousness, wordiness, odd meters, and thrash has balanced System's activism since their self-titled debut, making them "unique heavy music" over the much more problematic "unique, heavily political music." And Mezmerize doesn't fail to be unique. "Old School Hollywood" essays the bizarre experience of a celebrity baseball game ("Tony Danza cuts in line!") over keyboard effects from "Beat It" and a brutally simplistic rhythm, "This Cocaine Makes Me Feel Like I'm on This Song" is more twisted-tongue histrionics and explosive playing, and Tankian and Malakian's harmonies are the catalyst (again!) for making "Revenga" a truly feral epic. System of a Down -- what's another adjective for "awesome"?
Hypnotize :
It wasn't a lie when System of a Down said the packaging for Mezmerize and Hypnotize would slot together. Released in November 2005, roughly six months after its counterpart, Hypnotize does indeed feature a tri-fold design. But the extra cardboard slotting's a little extraneous, as are some of the sonic parts on both albums. Truth is the motor for System's spazzy, modernist thrash. It drives the boiling rage in Hypnotize's "Attack," "Stealing Society," and "U-Fig"; on "Holy Mountain," it inspires SOAD to transform the sad facts of genocide into the album's most vicious, powerful, and arresting moment. Of course, truth also drives SOAD to make passionate, if slightly screwy, decisions: Serj Tankian's ADD sputter of "eat 'em eat 'em eat 'em eat 'em" and "banana banana banana terracotta" on Hypnotize; Mezmerize's detour into celebrity baseball game outtakes on "Old School Hollywood." These moments are head-scratchers, no doubt, but they're integral to the experience -- System of a Down confound and irritate even as they rock. And it's precisely because of that weird aggression/aggravation dynamic that Mezmerize/Hypnotize is as strong a concept/double album as metal can offer in 2005.
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Originally Posted by Progatron
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