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Thread: Music From Norway: Just how important is it, really?

  1. #326
    Member Zeuhlmate's Avatar
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    Quote Originally Posted by Zappathustra View Post
    Explosive progressive fusion from Krokofant, with the help of Storlokken and Ingebrigt Haker Flaten. It kills.


    Good stuff !

  2. #327
    Knut Bjørnar Asphol: Tabloid Red - an ambient guitar-album, somewhat in the Eivind Aarset-vein, although less rocking.
    Features the usual suspects from Norway (which was the reason why I picked this unknown chap from the bin).

    This Game even has an official video:



    Other albums from Asphol feature Arve Henriksen and NP Molvær.

  3. #328
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    The Mechanical Fair - Live (Full Concert) / Ola Kvernberg & The Trondheim Soloists


  4. #329
    Here’s a slice of real Forest Prog:

    https://eldsmark.bandcamp.com/releases

    which was brought up by Daulinghorn on PA.
    “your ognna pay pay with my wrath of ballbat”

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  5. #330
    Member Since: 3/27/2002 MYSTERIOUS TRAVELLER's Avatar
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    Quote Originally Posted by Mascodagama View Post
    Here’s a slice of real Forest Prog:

    https://eldsmark.bandcamp.com/releases

    which was brought up by Daulinghorn on PA.
    beautiful, pastoral music in 4/4
    could play this at a party full of non-proggers and get no complaints

    I like it!
    Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?

  6. #331
    Quote Originally Posted by MYSTERIOUS TRAVELLER View Post
    beautiful, pastoral music in 4/4
    could play this at a party full of non-proggers and get no complaints

    I like it!
    Not the most challenging music you'll hear all year, but drenched in the kind of atmosphere that will have fans of Bo Hansson reaching for the rolling mat. I, too, dig it.
    “your ognna pay pay with my wrath of ballbat”

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  7. #332
    Sadly, in North America, the overall culture is one of exclusion: one can like this or that, but not this and that.
    Cool line. Totally loved the article. Never knew any of this but yeah, that's way cool what they are doing.
    Carry On My Blood-Ejaculating Son - JKL2000

    HODOR!

  8. #333
    Quote Originally Posted by Mascodagama View Post
    Here’s a slice of real Forest Prog:

    https://eldsmark.bandcamp.com/releases

    which was brought up by Daulinghorn on PA.
    Credits
    Drums, Percussion, Guitar [Litt Strenger], Other [Pålegg] – C.E. Berg
    Flute, Acoustic Guitar [Stål- Og Nylonstrenger], Electric Guitar, Electric Organ [Hammond-orgel], Synth [Arjo], Clavinet [Hohner], Mellotron, Piano – R.E. Túritrøen
    Illustration [Cover] – E. Gjerdaas
    Mastered By – Jacob Holm Lupo*
    Recorded By [Drums] – Kristian Frøland

    Would love to hear this from CD.

  9. #334
    That's Mr. to you, Sir!! Trane's Avatar
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    Quote Originally Posted by Mascodagama View Post
    Here’s a slice of real Forest Prog:

    https://eldsmark.bandcamp.com/releases
    added in the prog folk genre in PA
    my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.

  10. #335
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    Talking about progressive bands from Norway:

    A band that I am currently obsessed with is "Weserbergland" .. yes, it's name of a german low mountain landscape but I assure you the band is from Norway.

    "Stepping beyond any discernible rock paradigms and venturing into terra incognita where electro-acoustic meets contemporary classical meets electronic meets some weird, futuristic remnant of kraut."

    They just released their second album "Am Ende der Welt". It's essentially a 1-track album with very experimental stuff. Their first album "Sehr Kosmisch - Ganz Progisch" is easier to digest.

    Bandcamp: https://weserbergland.bandcamp.com/

  11. #336
    ^ Weserbergland is Ketil Vestrum Einarsen's band. He's a trained flutist and composer with a résumé in Norwegian rock and jazz that'd take an hour just to assemble in writing, but granted he's the biggest globetrotter in the annales of modern progressive here in Norway; Motorpsycho, Jaga Jazzist, White Willow, Geir Lysne Ensemble, Ignore, Panzerpappa - you name it.

    Both Weserbergs are ace, IMO.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  12. #337
    ^ ^^ It's maybe worth saying, for those that got the first Weserbergland, that the second is really pretty different. The debut was - to my ears - essentially a future-facing take on motorik Krautrock; kinda Neu! for the 21st century. The new one is much more experimental.

    I liked the first one, but not sure if I would have sprung for more of the same; so far I like the second one quite a bit more.
    “your ognna pay pay with my wrath of ballbat”

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  13. #338
    Quote Originally Posted by TheLoony View Post
    Cool line. Totally loved the article. Never knew any of this but yeah, that's way cool what they are doing.
    Thanks,for the kind words - and citing that quote (“ Sadly, in North America, the overall culture is one of exclusion: one can like this or that, but not this and that.”) from the piece. When I started traveling a lot in Europe, but especially Norway, between 2006 and 2014 (when chronic fatigue syndrome stopped me in my tracks), that was one of the first things that struck me. Not that there aren’t people, here in North America, with inclusionary tastes, but as a broad generalization I found those folks to be far harder to find than in Europe/Norway, where it seemed (at the time...I fear things may have changed in the last 6 years but I hope I’m wrong) far easier to find people whose habits - not just music, but other things as well - were far broader.
    John Kelman
    Senior Contributor, All About Jazz since 2004
    Freelance writer/photographer

  14. #339
    That's Mr. to you, Sir!! Trane's Avatar
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    Quote Originally Posted by Mascodagama View Post
    ^ ^^ It's maybe worth saying, for those that got the first Weserbergland, that the second is really pretty different. The debut was - to my ears - essentially a future-facing take on motorik Krautrock; kinda Neu! for the 21st century. The new one is much more experimental.

    I liked the first one, but not sure if I would have sprung for more of the same; so far I like the second one quite a bit more.
    Yup, I find their second much more involved.
    my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.

  15. #340
    I'll allow myself to crash this thread with my own album: My band The Opium Cartel is releasing our 3rd album on June 5th. Three singles from the album are already up on our bandcamp and can be sampled there. The line-up features Wobbler/Tusmørke/White Willow's Lars Fredrik Frøislie on drums (not keys!), Silje Huleboer, known among other things for her work with noise artist Sten Ove Toft, on vocals, Ole Øvstedal of Spirits of the Dead on bass, Airbag's Bjørn Riis guesting on lead guitar, as well as contributions from Russian-Israeli saxophone player Ilia Skibinsky (Brecker bros, Larry Graham), Israeli singer Leah Marcu of prog metallers Tillian and Russian violinist Maria Gregoryeva. I probably left someone out. The music ranges from art-pop (think The Blue Nile/late Roxy Music) via 80s-infused prog-pop to dreamy 4AD stuff. It's all geared a lot more towards my 80s inspirations than White Willow's obvious 70s inspirations.
    https://theopiumcartel.bandcamp.com/

  16. #341
    ^ Great work on the Elds Mark there, Jacob. This So reminds me of the rather unique ambience of (Swedish) Ragnarök, an approach which hasn't really been explored much at all.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

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