An example of their non-musical writing that shines, the article on Aaron Hernandez:
http://www.rollingstone.com/feature/...-in-the-huddle
A word to the wise ain't necessary - it's the stupid ones that need the advice.
I never even heard of VDGG until I started coming here.
Don't think I missed all that much, come to think of it....
“Where words fail, music speaks.” - Hans Christian Anderson
I'd argue they had progressed from being a cult band to global recognition by Trick of the Tail . Prog was still a popular genre in '76. It just never happened for them during the Gabriel era . Certainly not in the major league like Yes ,Tull ,Floyd,ELP & KC . I even remember bands like Uriah Heep being much bigger than Genesis in terms of press exposure,ticket and album sales . They were more well known in the school playground i.e. graffiti on satchell's, pencil cases, desks etc .You were more likely to see someone carrying an Heep album than a Genesis one !
I think Heep appealed to both as they did have elements of both Prog & Rock in their arsenal ! Dont get me wrong , Genesis were big & well known as where Camel , VDGG ,Focus ,PFM et al . But even if you look at annual polls in the music press of the day they were always dominated by ELP ,PF ,Tull,KC along with the likes & members of Zep & The Who .
Last edited by Rufus; 08-29-2013 at 02:02 PM.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
Certain UK regions had bigger fanbases of particular groups back then than others... every band named so far had their specific area strongholds, while the bigger names became nationally known during the seventies... their names spread into areas of Europe and eventually to the States.
The lesser known bands followed in the wake of the biggies... and established their own small strongholds outside the UK via festivals or airplays on regional radio.
Fact... Nektar was scheduled to open for Led Zeppelin at Wembley Empire Pool in 1972, but at the last moment Peter Grant (Zep manager) decided to use "Budgie", who were on Zeps' record label. Around the same time, Genesis and Nektar were optioned for grabs for a big promo boost, but Genesis got it... and the rest is history. That's another reason Nektar stayed in Germany, where we had already established huge strongholds and could easily headline German festivals.
http://www.thenektarproject.com/geew...um/default.asp ...where CLASSIC Nektar lives[/I]
I agree at least where I grew up on Long Island. Up until The Lamb Genesis fans were far and few between. We seem to be in our own little world. When ATOTT came out the entire high school was suddenly into Genesis and most of the new comers had not idea that they just lost a lead singer by the name of Peter Gabriel. This popularity led to them to play MSG on the W&W tour.
As much as I love and feel that that KC is probably the most progish of them all I feel they never achieved the same level of popularity as Yes, Tull, Floyd, ELP and Genesis who all eventually played the big arenas during that time period. Something I'm not sure KC could have ever pulled off.
Sorry, yooz right, it was actually "Bronco" and it was 1971 (November 20th). Stone the Crows were second openers, Bronco were first up. We were there on full access passes, courtesy of Mr. Grant, but neither Nektar nor Bronco were on any posters or tix as that final decision wasn't made until the 18th, two days prior. As for the label and decision, Bronco had something going on with Swansong, Peter Grant or Rikki Farr at that time, plus they were a "simpler" band to open, wheras we had that damn lightshow etc....lol.
I knew the name began with a B... I shoulda checked my diaries before I replied... my bad!
.... and has anyone ever heard of Bronco since?
OK... back to the subject matter... the top 10 prog albums of the 70s.
http://www.thenektarproject.com/geew...um/default.asp ...where CLASSIC Nektar lives[/I]
Not surprising, the readers of RS seem to only be aware of 5 bands...
VdGG were inactive for almost three years between '72 and '75, and this was an important time for a lot of prog bands who made great headway in terms of rising popularity during that period. So that definitely didn't help VdGG's cause. But the main hindrance for that band was their inability to tour the States. That's why so many U.S. Americans say they never even heard of them until they came to this site. The group had a big enough following in Europe in the 70s, even in the U.K. where they never had a 'hit' but were still in the magazines, on the radio (John Peel, etc), and played decent-sized theaters / auditoriums. In the U.S. it was a strictly way- underground following although the following was big enough to sell out their one U.S. show at New York's 2,000 capacity Beacon Theater in '76.
'Making it in the States' was seen as as a big key to things by most bands that had career aspirations back then.
Rufus is wrong about Genesis again. We have previously pointed out that even with Peter Gabriel they achieved three Top Ten albums in the UK on the trot. That makes them one of the most popular prog acts of the time, only a handful charted consistently better, I would say Yes, ELP and Floyd.
Certainly Uriah Heep did not, only ever having one Top 10 album here. And King Crimson commercially peaked with Greg Lake.
Globally Genesis with Gabe never made the major league , even here in the UK .
As for UH , look at the size of the venues they were playing in, including headlining major european festivals !
Get over it , Focus were bigger than Genesis if you want to base it on top ten albums !
"...he's making it up as he gooooooooooooooooes along!"
- Python, Monty. Brian, Life Of
Descent list. Rolling Stone still sucks.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
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