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Thread: Recording Guitar

  1. #26
    Thanks for the suggestions. There are just too many variables (plectrum, tone knob, amp settings, compression, EQ, etc.). I guess it's back to trial and error...

  2. #27
    One simple thing you can try depending on your pick's shape is to turn it around and use one of the larger radiused corners instead. Any chance you could post a sound snippet showing what you're writing about?

    Stan

  3. #28
    I think I have it figured out for the most part. It seems to have a lot to do with the amp or plug-in that I'm using along with the tone knob on my guitar. I'm somewhat "picky" about noise in my recordings. I hear recordings from the 70's, like The Rolling Stones, and wonder how they achieved such a clean and noiseless recording. Another factor is that you hear a lot more with modern recording equipment.
    Wild Vines Music

    Still trying to identify this music (updated link):
    Unknown Track

  4. #29
    Member Mikhael's Avatar
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    The felt pick was originally intended to let pick-playing bassists sound like they were playing with their fingers.

    Or at least I think that's what it was for.
    Gnish-gnosh borble wiff, shlauuffin oople tirk.

  5. #30
    Quote Originally Posted by Mikhael View Post
    The felt pick was originally intended to let pick-playing bassists sound like they were playing with their fingers.

    Or at least I think that's what it was for.
    That's certainly the effect it produces.

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