From Louder (clip embedded in the article):
https://www.loudersound.com/news/mik...rog-rock-suite
From Louder (clip embedded in the article):
https://www.loudersound.com/news/mik...rog-rock-suite
I'm not lazy. I just work so fast I'm always done.
He clearly knew what he was doing, but what he was doing was heavily orchestrated pop-rock songs. The songs themselves aren't particularly progressive or great - they sound like Andrew Lloyd Webber rock musical knock-offs - and the Moodies, ELO, Carl Wayne, and Lloyd Webber himself all did this sort of thing better. Some of the transitions and interludes are intriguing - but they rarely last very long, and then it's back to the fancied-up meat+potatoes.
Last edited by Baribrotzer; 11-14-2022 at 05:47 PM.
Out of all Mike Batt's works, my favorite is Better than a Dream.
I'm listening to the epic right now. I'm at minute 5:00 at it sounds amazing so far.
One Dracula, two Dracula, three Dracula...
It started out impressive for me, but then took a severe left turn.
Put it back.
It definitely felt like a series of straightforward songs, but the orchestration lent a nice sense of unity to the proceedings. Probably not a lost masterpiece but I got a kick out of it.
Listen to my music at https://electricbrainelectricshadow.bandcamp.com/
Can't say it did much for me.
Yemen hardly ever exports cookies.
I think Mike's prog pretensions peaked with this Wombles classic
"The Myths and Legends of King Merton Womble and His Journey to the Centre of the Earth!" Never heard of this before. Wikipedia says: "...a parody of two contemporary concept albums – The Myths and Legends of King Arthur and the Knights of the Round Table and Journey to the Centre of the Earth – both by Rick Wakeman." You can definitely hear the resemblance.
Frankenprog
I managed to make it to a couple minutes in...which seems like heroic work on my part, really.
Neil
A British songwriter/producer/keyboardist, who has worked on quite a number of projects over the years. In most of them, he did his work behind the scenes; not sure why; maybe he was stage-shy or got told that the camera did not like him.
He's probably most noted for what he did directly after he recorded this prog suite: He had sunk quite a deal of money into that recording, and it went nowhere - so, desperate and near-broke, he took a job writing music for The Wombles, a children's TV show. It was a success, got him out of that financial hole, and seems to be what he's remembered for.
Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
He also wrote "Bright Eyes," for those who are into Art Garfunkel's solo stuff.
I understand that some dislike Sails of Silver because it's more "poppy" than the earlier albums ... that's what I like about it, I think it's a masterpiece of melding folk with pop.
Yemen hardly ever exports cookies.
And apparently, Steeleye Span returned the favor by appearing as The Wombles on Top of the Pops.
https://en.wikipedia.org/wiki/The_Wombles_(band)
Bookmarks