It's specifically steampunk fantasy but my first thought was actually Rush's Clockwork Angels.
It's specifically steampunk fantasy but my first thought was actually Rush's Clockwork Angels.
"One should never magnify the harsh light of reality with the mirror of prose onto the delicate wings of fantasy's butterfly"
Thumpermonkey - How I Wrote The French Lieutenant's Woman
"I'm content to listen to what I like and keep my useless negative opinions about what I don't like to myself -- because no one is interested in hearing those anyway, and it contributes absolutely nothing to the conversation."
aith01
Most Ayreon and Arjen Lucassen-related albums.
Bowie's 1974 album Diamond Dogs is heavily based on Nineteen Eighty-Four by George Orwell.
Genesis' "The Return of the Giant Hogweed" is a mashup of the very real British hogweed infestation (which was not a joke; that stuff had venom that would very quickly blister your skin) and John Wyndham's novel The Day of the Triffids (1951).
Cobra handling and cocaine use are a bad mix.
Just sci-fi, or fantasy as well?
Then, you really need to do Magma, again:
https://dangerousminds.net/comments/...i_avant_garde1
https://books.google.com/books?id=3d...iction&f=false
I'm not lazy. I just work so fast I'm always done.
I've always thought of Brain Salad Surgery, or at least the extended Karn Evil 9 piece, as science fiction oriented. It has a dystopian outlook and references something similar to the singularity in its 3rd impression.
Thanks for the suggestion, "Nothingface" is a great thrash-metal album, but for something non-prog rock, I'd like to play these two songs: the Grateful Dead's song "The Music Never Stopped", which borrows a line from Alfred Bester' sci-fi novel The Stars My Destination (1956), and The Who's song "905". The latter song is a genuine science fiction ditty about a grim future in which humans are reduced to unimaginative automatons designed in test tubes.
Moorcock also co-wrote 'Black Blade' on Blue Oyster Cult's 'Cultosaurus Erectus' album.
One For The Vine and Get 'Em Out By Friday could be said to have science fiction themes.
Hawkwind have several others - Spirit of the Age, Sonic Attack, High Rise
Yes - Starship Trooper, albeit they only lifted the title of Heinlein's novel.
Nektar - Journey to the Centre of the Eye, Remember the Future
Phideaux - Snow Torch, Number Seven and Doomsday Afternoon might be sci fi, hard to tell
Rush - Red Barchetta
Genesis - Keep it Dark, maybe Lamb Lies Down on Broadway (fantasy)
Saga - The Chapters
Le Orme - Felona e Sorana is a concept album based on a SF story (and a stone cold Prog classic)
Presence - Gold is based on a SF book (forgot which one) P.S. Virginia Stait "PLANET OF THE WITCHES".
Last edited by TheH; 04-26-2022 at 08:09 AM.
perhaps i mis-read it, but didn't the OP want music specifically relating to existing pieces of sci fi literature, as opposed to songs/album with a sci fi theme?
anyway, surprised no one has mentioned one or more of these...
Alan Parsons - I Robot
Klaus Shulze - Dune
The Bongos - Barbarella (this one might not be prog, i suppose)
I thought I read it that way a first time, but the thread title doesn't say it has to be related to a book. The text of the OP is a little more specific, but maybe the request might've been explicitly written, if such is the case.
In the case of Rush in the 70's, Ayn Rand's books often served as inspiration.
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
What is being forgotten here is that the OP asked for works with connections (I think they said "links") to sf "literature". That means written stuff, not movies, and definitely something (however good) based on the musician's own SF ideas -- in other words, not things like "Get 'em Out by Friday" or the collected works of Christian Vander. An excellent example kenschwartz cited above is Alan Parsons's I, Robot, which is (loosely) based on Isaac Asimov's book of the same name. I presume that Klaus Schulze's Dune has a similar relationship to the book of that title by Frank Herbert. Though I think my favorite example was "Watcher of the Skies", with its relationships to Clarke's Childhood's End, and also to Keats's "On First Looking into Chapman's Homer":
Then felt I like some watcher of the skies
When a new planet swims into his ken
(There is a metric butt-ton of English poetry referenced in Gabriel-era Genesis songs.)
Cobra handling and cocaine use are a bad mix.
Jefferson Airplane/Starship. Science fiction permeates their entire body of work.
Examples:
The post-apocalyptic "Wooden Ships." The song "Crown of Creation," which directly quotes a John Wyndham novel. The first Starship album, "Blows Against the Empire," about the hijacking of a starship and the search for a new home for humanity. (This album was actually nominated for a Hugo Award.)
"I have not yet begun to procrastinate."
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