Credit for this featured CD : Jerjo
Based on a CD received from the collection bequeathed to Progressive Ears by Chris Buckley (Winkersnuff)
Jerjo's comments:
I only had a passing familiarity with this. Compared to my normal fare back in the early 70s, the Moodies seemed a little soft to me and I was only familiar with the hits. "Nights in White Satin" was the theme for my prom when I was a junior in high school (74). The band butchered it. So I come to this with fairly fresh ears and I had to do some research to get a little context and perspective.
Ostensibly, this was to be a pop album with orchestral interludes. The label, Decca, had experimented with stereophonic sound for classical recordings, and hoped to capture the pop market in the same way, by interweaving classical recordings with the group's interpretation of the same music. The group ended up using some interludes but it went a bit different from the label's plan. The strings are lush and a bit on the sugary side, sometimes veering into Disney territory. I find Mike Pinder's Mellotron bits to be much more interesting. There are only a few passages where it seems to me that the orchestra was utilized with some depth. The band on the other hand, is in fine form. On "Tuesday Afternoon" they even have a little swagger and authority. The vocals are a strong point, full of emotion and heft. The lyrics, well, Bob Dylan wasn't exactly considering this competition. Some of the spoken word stuff is truly cringe-inducing but no worse than some of Jon Anderson's tripping across the celestial heavens.
I can see why this was a gentle thunderbolt in 1967. The amount of weed and acid consumed while listening to this must have been enough to give parents nightmares. 4 1/2 stars out of 5.
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