"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Gonna check out that Yugen...cheers guys.
^ The guy is named after a Cow!
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
^^^^^^^
Someone has a PATREON page for doing this stupid shit?
And people complain about Food Stamps for the needy.....
Last edited by Steve F.; 04-01-2021 at 08:55 AM.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
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“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
^ Some time during my student days in the 1990s I ventured into a heated discussion on musical merit with a distant acquaintance who claimed that "DJs are the new virtuosos". I responded rather dryly from the back of my drunken tongue that this would be equivalent to honouring the nobody-guy with the starting pistol instead of the runners in the field. And my adversary, in all seriousness, proceeded to argue that if the nobody with the starting pistol hadn't fired his damn gun, there'd be no run to begin with.
And by that reasoning he actually claimed to have "won" the debate. He'd probably still do to this day. That's the way overt silliness works.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I didn't watch this until the end but at least this guy is acknowledging this music even exists, which is a positive in my book. I don't think talent plays any part of this, merely an opinion. There is a French guy who I do like that covered Magma - he seemed genuine and passionate.
Pura Vida!.
There are two kinds of music. Good music, and the other kind. ∞
Duke Ellington.
I can’t find it now, but did someone mention the Japanese band OOIOO? Or is it 00100? Or did I dream it? In any case, I’ve started listening to them! Apparently OOIOO means giving someone the finger, in ASCII. But 00100 would be the finger in Binary...
^^^^
FYI
It’s OOIOO
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Fantastic stuff
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
NP: Regal Worm - Pig Views
I guess they belong here?! Next I'm going to try Henry Fool's "Men Singing." And/or I Monster's "A Dense Swarm Of Ancient Stars." I just read the bio for Regal Worm in ProgArchives, and it's pretty interesting - it's the band's own bio provided by them.
NP: Magma - Attahk (Is Magma considered Avant Prog? I think maybe both Magma and Regal Worm don't belong here...oops. I'll get me coat!)
Last edited by JKL2000; 04-12-2021 at 01:33 AM.
^ Magma and much other -radical- Zeuhl certainly passes for avant-progressive in my book. Just like -some- assorted Canterbury does.
On the other hand, in contrast to what one might think, there are actually bonafide RIO-artists whose work wouldn't pass as either "avant-prog" or even rock music.
People should read'n'learn about those darn concepts of genre. Belonging to one doesn't omit you from others. Unless it's commerce-country vs. black metal or something. I mean, black metal may sit well with some country, but not the commercial type. At least it'd come out as very original, almost like avant-prog. Y'know.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I have always thought that Magma is one of the foundational (is that even a word?) bands of the avant-prog "genre".
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Listening to the first Yugen album - never heard the band before. Man, is this good!
Where to after this album (Labirinto D’Acqua)?
Fantastic band with a great debut, saw them at my first RIO in France in '11. Spent a bunch of time with them in the bar during the Arno set. Iridule is my favorite by the band which also features Mike Johnson, Elaine Di Falco, Dave Kerman & Dave Willey from Thinking Plague. Wonderful album.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
^ Iridule is stupendous.
To master/muster such insanely compressed density of notes in an ensemble-setting is an achievement in itself, but to actually make it come alive as they do - now that's another thing entirely.
I always thought of Iridule as an equal companion-album to Ske's 1000 Autunni. Both featuring Paolo B., of course.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
This has to be so obscure, that maybe not even PE savants have heard about it (my google search produced just a couple of results).
No drums, no bass, no guitars, not even conventional keyboards. Just 2 french horns, oboe, and electronic effects from this Mexican project named 1870. Definitely there is a lot of improvisation involved in this so original and masterfully executed record.
Judge for yourselves
^ That's pretty weird, I guess. Facceted still.
Mexico always had them comin'; Culto Sin Nombre, Decibel, Nazca, Ledesma, Banda Elastica, Cabezas Di Cera, High Fidelity Orch.
Did you ever hear the duo Erehia from the late 90s? they only released one album (that I know of), but it contains intriguing, through-composed pieces for drums/perc., electric viola, Warr and careful MIDI, plus some wordless vox. I'm really glad I got this back then, as it quickly vanished with its 1000 pressed copies.
Last edited by Scrotum Scissor; 04-16-2021 at 10:09 AM.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
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