What we learn from Weird Scenes is that not only were the movers of the 60’s musical revolution mysteriously concentrated in the very exclusive Laurel Canyon area, but what bound all of them were three common threads dangling against the backdrop of one highly curious phenomenon.
Family connections to the military or intelligence community
Connections to the occult
A long chain of mysterious deaths and brutal murders
Laurel Canyon was home to a top secret military intelligence film studio whose presence and purpose remain largely unknown to this day
All of the information presented runs completely contrary to the mythology of the Peace and Love 60’s counterculture. In fact, McGowan’s work doesn’t just cast doubt on the idea of an organic social and cultural phenomenon, it detonates the very foundations of the popular myth. At the core of the book are simple but mind blowingly provocative questions:
What if the counterculture revolution was engineered?
What if these artists were working in concert with the military intelligence establishment to mainstream rock culture and decadence?
What if the goal was sabotaging both the antiwar Left and hastening the break down of the social order?
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