Listened to it today. Udi is right, the main differences I hear are instrumental balances, but I did enjoy it because it brought different things to the fore. Not sure if it was a more "cohesive" mix but I think it has some validity.
Listened to it today. Udi is right, the main differences I hear are instrumental balances, but I did enjoy it because it brought different things to the fore. Not sure if it was a more "cohesive" mix but I think it has some validity.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
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Remember, if it doesn't say "Cuneiform," it's not prog! - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
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