The Norwegian sound engineer who recorded hundreds and hundreds of ECM titles and was probably more responsible for 'the ECM sound' in terms of recorded sonics than anyone, has died at the age of 75.
What a great set of ears!
The Norwegian sound engineer who recorded hundreds and hundreds of ECM titles and was probably more responsible for 'the ECM sound' in terms of recorded sonics than anyone, has died at the age of 75.
What a great set of ears!
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
Rest in peace. I love the ECM sound.
We're trying to build a monument to show that we were here
It won't be visible through the air
And there won't be any shade to cool the monument to prove that we were here. - Gene Parsons, 1973
RIP
If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
https://battema.bandcamp.com/
Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com
Some of the best sounding, intimate ensemble recordings out there for my money. An achievement to be proud of and which will live on. RIP.
Sad news.
RIP
"please do not understand me too quickly"-andre gide
Wow...what a legend he was. I love the sound of those early ECM piano albums by Chick Corea, Keith Jarrett, Steve Kuhn etc. Apparently the piano and room were nothing special...just an amazing engineer knowing the equipment he had. I remember reading an interview with guitarist Dominic Miller about his fairly recent album Silent Light, where he said he was sat in a corner of the studio just rehearsing. Jan Erik just came up and set up the microphones literally where he'd plonked himself - no magic corner of the room or anything. Just a total genius sound engineer.
Matt.
Very saddened by this piece of bad news. A great sound engineer.
sad.
"And this is the chorus.....or perhaps it's a bridge...."
Sorry to hear this. There was a very interesting interview with him on an audiophile site I found last year. I may have posted it to an ECM thread here?
Very sorry to hear this. What a legacy he left, though. I've never counted, but I wouldn't be surprised to find that the number of albums I own with his name on them is over 100. A giant in the field, and as much a part of the "ECM sound" as Manfred Eicher, IMO.
David
Happy with what I have to be happy with.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
I have only to thank Mr. Kongshaug for so many moments of sheer joy and pleasure.
It's his "classic" ECM sound ( and the cover art) that hooked me onto a lot of artists like Metheny, Weber, Corea, Abercrombie without knowing first that he was responsible for this sound. I saw that he was also a guitar player and recorded two records . Does anyone know them ?
Dieter Moebius : "Art people like things they don’t understand!"
Not wishing to take anything away from the brilliant Jan Erik Kongshaug, he wasn't responsible for ALL of the ECM productions at the time - a good number of them (including Metheny's "Bright Size Life", most of the Eberhard Weber 1970s releases etc.) were recorded at ECM's other studio, in Ludwigsburg, by Martin Wieland. I don't know enough of ECM history to know if Wieland can be considered a disciple of Kongshaug, or if they were both geniuses in their own right, or if Manfred Eicher was the primary source for the label's concept of sound/recording and Kongshaug and Wieland merely brought it to life (which is enough to justify praise in any case).
PS: As regards Kongshaug the musician, I only have "Night Sounds" (1978) by the Frode Thingnaes Quintet on which he plays bass, not guitar. Good, if somewhat generic, fusion.
Calyx (Canterbury Scene) - http://www.calyx-canterbury.fr
Legends In Their Own Lunchtime (blog) - https://canterburyscene.wordpress.com/
My latest books : "Yes" (2017) - https://lemotetlereste.com/musiques/yes/ + "L'Ecole de Canterbury" (2016) - http://lemotetlereste.com/musiques/lecoledecanterbury/ + "King Crimson" (2012/updated 2018) - http://lemotetlereste.com/musiques/kingcrimson/
Canterbury & prog interviews - https://www.youtube.com/channel/UCdf...IUPxUMA/videos
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
I played Timeless on Monday because I just got a beautiful, vintage German lp pressing in perfect shape and it sounded so great, even on my exceedingly modest set up, that I looked at the credits.
This was before I got news of his death, and it was not recorded by Jan-Erik; it was actually recorded in New York by Tony May at Generation Sound Studio and MIXED by Jan Erik.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
"Timeless" is a great sounding disc. I'll chalk it up to the mixing.
Obit and an interview from John Kelman's trip to Norway in 2010.
https://www.allaboutjazz.com/norwegi...erik-kongshaug
Manfred describes his relationship with engineers in cinematic terms: he, as the director who, like you say, has the overall vision and brings musicians (actors?), though he’d also a very active producer (director) as well; and the engineer as Director of Photography, i.e. the guy who knows how to technically realize the director’s vision and capture it to [insert medium here].
So yeah, absolutely.
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
Both Kongshaug and Weiland were separate and equal engineers in their own right, just as other engineers with whom Manfred has (and continues to) work, like James Farber.
Yes, Weiland was responsible for a engineering good number of classic ECM recordings, but with 700 recordings to his name, I think Jan Erik has to go down as the engineer involved in more ECM recordings than any other...
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
John Kelman
Senior Contributor, All About Jazz since 2004
Freelance writer/photographer
Bookmarks