Originally Posted by
GuitarGeek
Maybe, I need to listen to the records again, but I had teh impression that Sowiloï was the quiet bit at the beginning of Theusz Hamtaahk, after the dramatic fanfare intro.
BTW, if you spend a lot of listening real closely to the music, you'll hear lots of motifs recur from one piece to another. For instance, there's a melody in Theusz Hamtaahk, just before the quiet bit near the end with the chanting in it, which also occurs in Kohntarkosz (near the end of Part one, before it goes into the piano arpeggios).
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