Thank you for the extensive write up Thomas! I really enjoyed reading your recap.
Thank you for the extensive write up Thomas! I really enjoyed reading your recap.
You pretty much sum up my experience with Jon D and Yes, in fact I wasn't much of a fan of his while he was in Glass Hammer.
I have both Live DVD's Jon Davison did while Chris was alive, and his vocal performances were ok, but I felt at times as a frontman he was a bit over his head.
I was to the point of swearing off any new Yes purchases, but after listening to Topographic Drama I noticed a change in the vocals and began warming up to him and felt at that point he had finally embraced his role as "the singer" for Yes.
I think he has even more potential and will love to hear what the future holds for him when he can finally sing as Jon D and not a singer of Yes songs.
I agree, this is the time to record a new album, Jon is ready, the band is ready and we really don't know how long they can keep going on at this level.
As a Benoit David fan, I also agree with your comments about him and FFH.
Given time I think he could've been a really good fit for Yes, but in the video Yes included in one of their cds, his stage presence wasn't very good to me.
Soundcloud page: Richard Hermans, musical meanderings https://soundcloud.com/precipice YouTube: [https://www.youtube.com/@richardhermans4457
I agree, I am hopeful of another album from Yes, although I can understand a lack of motivation from Howe. Why does he want to spend another few months away from his family at his age for an album that won't make him any money? His only motivation can be an artistic one to have one more go at making a good Yes album. Heaven & Earth would have been better if there was more Prog in the music. Most of the songs were very good but lacked the fire that only maybe appeared at the end of Subway Walls.
I've always really liked Jon D but Benoit was great too especially when I saw him in late 2011 on the FFH tour just before his troubles began, he had great stage presence and they were really performing well. Its very sad how it turned out for him but he still did a great job with Yes when it couldn't have existed without him.
I'd put it more as, singers can sing in Jon Anderson's range, but still not sound like Jon Anderson. That to me is what Jon D does. I think he does a good job trying to capture some of the vocal quirks and idiosyncrasies in the songs without necessarily aping JA. But at the end of the day they're different singers. Sometimes I wish JD gave his delivery a bit more of JA's rasp and huskiness, but it would probably harm his vocal cords.
I'm holding out for the Wilson-mixed 5.1 super-duper walletbuster special anniversary extra adjectives edition.
I don't think it's quite a matter of range or not, and I would probably personally think of sounding similar in tone, although not being critical to Jon D, I just think his voice is missing the body and weight Jon's vocals have.
We had the pleasure of seeing Jon Anderson in Clearwater for the Hands tour and that reinforced my opinion of their differences even more.(As commented earlier we had seen Yes last tour).
And this weekend we watched ARW Live at the Apollo and his voice just has it's own sound to it and it reminded me of how Jon D and Jon A sound a bit different.
And YES I really do like that concert and I don't even notice the faux crowd noise.
Soundcloud page: Richard Hermans, musical meanderings https://soundcloud.com/precipice YouTube: [https://www.youtube.com/@richardhermans4457
Likewise.. first tour they did "featuring.. etc", then the second time with Asia the following summer as I recall.. Two different singers.. first show he had his moments particularly during Onward.. but the summer tour I thought he nailed every song.. very impressed with him..
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