My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Judas Goat shreds. (I wonder how this would sound to an outsider.)
Good thread.
*HUGE* fan of Crashing Icons here, and I always championed it - to little avail. I love Aislinn Quinn's voice (she sounds like an adolescent boy singing) and keys, Enrique Jardines' bass playing (that guy held a PhD in his instrument!), and not least the inimitable Pip Pyle who rarely sounded better than right here. What really astounds me about this recording is the fierce mastery of edge between looseness and density, coupled with a sense of obtuse force which just endures and prevails without disturbing the detail and discipline needed to execute a web of arrangements as challenging as these. I listened anew just a couple of weeks back, and the album has lost none of its initial freshness whatsoever. Halfway between Susanne Lewis-era Thinking Plague and Zorn's Painkiller; more folks should get to hear it.
Insanely sad to note how both P. Pyle and E. Jardines are long gone.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Hello Gang!
.Nicotina es Primavera.:
Great ensamble from Buenos Aires, Argentina; today, I listened to their second album for 2018 for the first time:
“Perder Planetas”, a great mix of instrumental chamber music, jazz, RIO & avant prog for example ... recommended!.
https://nicotinaesprimavera.bandcamp.com
Also, I relistened their first one for 2016: “Animal Cerámico” ... I didn’t remember how good it is: mix of jazz, experimental rock and contemporary classic.
Nicotina es Primavera is a side project of Camilo Ángeles, flutist of the RIO band Sales de Baño.
Regards!.
Last edited by TCC; 01-17-2019 at 01:20 AM.
In that case you'll also need the Motor Totemist Guild's City of Mirrors, which further elaborates on the upmost densities of such U Totem masterworks as "Ginger Tea" but with a bigger ensemble adjustment. "Scarfnet" and "Narcotic Lollipop" sort among the most impressive achievements I heard by James Grigsby.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/
Motor Totemist Guild - City Of Mirrors is highly recommended
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
One of me favs and something I frequently binge on is Bob Drakes solo albums. If you're out there and have never heard all of them, you really should.
I dig me some Bobby D. Been wrapping my sweaty ears around The Shunned Country recently. Probably my favorite of his, an' stuff.
Shunned Country has one of my fav bass tones ever....evah... evah.
hear hear for Bob Drake! big fan over here
think Arx Pilosa is my favourite of his solo records
Bookmarks