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A boy band (or boyband) is loosely defined as a vocal group consisting of young male singers, usually in their teenage years or in their twenties at the time of formation, singing love songs marketed towards young women. Being vocal groups, most boy band members do not play musical instruments, either in recording sessions or on stage, making the term something of a misnomer. However, exceptions do exist. Many boy bands dance as well as sing, usually giving highly choreographed performances.
Some such bands form on their own. They can evolve out of church choral or gospel music groups, but are often created by talent managers or record producers who hold auditions. Due to this and their general commercial orientation towards a female audience of preteens, teenyboppers, or teens, the term may be used with negative connotations in music journalism. Boy bands are similar in concept to their counterparts, girl groups. Boy bands' popularity peaked four times: in the 1960s (e.g., The Jackson 5), in the 1990s and early 2000s when acts such as the Backstreet Boys, *NSYNC, A1 and Westlife, among others, dominated the top of the Billboard and pop charts, in the early 2010s with the emergence of new boy bands such as JLS, Big Time Rush and One Direction, and in the late 2010s with pop groups such as BTS and 5 Seconds of Summer.
The earliest forerunner of boy band music began in the late 19th century as a cappella barbershop quartets. They were usually a group of males and sang in four-part harmonies. Barbershop quartets were popular into the earlier part of the 20th century. A revival of the male vocal group took place in the late 1940s and 1950s with the use of doo-wop music. Doo-wop bands sang about topics such as love and other themes used in pop music. The earliest traces of boy bands were in the mid-1950s although the term boy band was not used. African American vocal group The Ink Spots was one of the first of what would now be called boy bands. The term boy band was not established until the late 1980s as before that they were called male vocal groups or "hep harmony singing groups".
Although the term "boy band" was not commonly used yet, the earliest predecessors of this format were groups such as the Jackson 5 and the Osmonds which helped form the template for boy bands. The Jackson 5 were a siblings group that established many musical conventions that boy bands follow. For instance, their music featured close harmonies from soul music and catchy pop hooks influenced as much as they were by Motown and acts like the Supremes. The group also incorporated choreographed dance moves to their performances. All members of the band sang, which is a common convention of a boy band, as opposed to having a front man and the rest on instruments; thus, no one person dominated the stage.[citation needed] Also a sibilings group, The Osmonds first started singing barbershop music for local audiences, before being hired to perform at Disneyland early in their career. Their appearance in a televised Disney special earned them additional TV spots, such as The Andy Williams Show and The Jerry Lewis Show
Other antecedents (apart from those already mentioned) exist throughout the history of pop music. The genre has been copied into languages and cultures other than the Anglo-American. The Puerto Rican boy band Menudo, appealing to young Latina audiences, was founded in 1977. Menudo had a convention unique among boy bands: when a member turned 16, became too tall, or their voice changed, they were replaced. The members of Menudo were generally aged 12–16.
The Bay City Rollers were a Scottish pop band who were most popular in the mid-1970s. The British Hit Singles & Albums noted that they were "tartan teen sensations from Edinburgh", and were "the first of many acts heralded as the 'Biggest Group since The Beatles' and one of the most screamed-at teeny-bopper acts of the 1970s". For a fairly brief but fervent period (nicknamed "Rollermania"), they were worldwide teen idols. The group were one of the first bands, like The Monkees before them, to take the formula shown by The Beatles and apply it to a teen market. The group achieved the same amount of success but for a limited period of time. At the peak of their popularity in the UK, comparisons were being made to The Beatles. Also by this time, Bay City Roller fans had a completely distinctive style of dress, the main elements of which were ankle-length tartan trousers and tartan scarves, the group using the benefit of merchandise and promotion.
In the US, the Cleveland-based power pop group Raspberries was generally interpreted as a "teen act", although all the band members played their own music. Vocalist Eric Carmen later commented, "It was not hip for people to like us, because their little sister liked us."
Boston group New Edition was formed in 1978 and reached their height of popularity in the 1980s, meaning they are often credited for starting the boy-band trend, even though the term "boy band" did not exist until the 1990s. Maurice Starr was influenced by New Edition and popularized it with his protégé New Kids on the Block, the first commercially successful modern boy band, who formed in 1984 and found international success in 1988. Starr's idea was to take the traditional template from the R&B genre (in this case his teenage band New Edition) and apply it to a pop genre.
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