I've had a love affair with the Minimoog since the early 70's.
And I'm proud and happy to have sitting next to me, a Maple Moog Voyager I purchased in 2004. No upgrades(except I installed the blue light upgrade for the pitch/mod wheel). I still only have 127 patch memory, but I like it like that. I wanted to keep it just the way it came from the factory back in 2004.
Took me a lot of 60+ hrs a week and overtime to pay for it, but I did it, and she's not going anywhere.
It's funny how an instrument affected the world of music the way it has. A monophonic synth using subtractive synthesis with 3 oscillators and a couple of waveforms is still able to produce a sound sometimes that no one else in the world has ever heard, it amazes me the unlimited creativity the Minimoog inspires. And oh, that filter.
Of course, it's much deeper than that, and the amount of thought that Bob put into it's design to allow musicians to create on the Minimoog what they heard in their head(as mentioned in this article).
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