I could mention Mehliana - Taming the dragon, but it has spoken word, so not completely instrumental.
I could mention Mehliana - Taming the dragon, but it has spoken word, so not completely instrumental.
^^^
... and Froese's Macula Transfer!
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
^^^
I forgot about Equinoxe - it's best moments beat this living shit out of Oxygene's best moments, IMO of course...
Just going to mention one, going way back to nearly the beginning: Switched on Bach, Walter (now Wendy) Carlos. This album changed music forever. Not exactly prog, but to important not to mention in a thread about purely electronic music.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
You might be confusing it with Air Pocket, which had three vocal tracks (“Windows,” “Landmark” and “Emergency Splashdown”) that were originally performed live with Utopia*. Cosmic Furnace was an outgrowth of his work as a sales rep for ARP, music made to demonstrate ARP’s product line; the only non-ARP instruments on the album are the Fender-Rhodes, the Hohner Clavinet and the Bösendorfer grand piano. There’s actually more music that Roger recorded during his time with ARP but it was never officially released in its entirety, including at least one vocal track: “On the Glowing Far Horizon.” A shame more of this stuff didn’t surface with Wounded Bird’s reissue of CF (at 36 minutes, it’s a pretty short album).
Celluloid: Neptune
*“Windows” had previously been released in a studio version with Utopia on Oops! Wrong Planet
Confirmed Bachelors: the dramedy hit of 1883...
That's interesting. I remember seeing a picture of Powell playing a Moog modular, with Bob Moog in the background, which always led me to believe he might have actually worked for Moog at some point.
Edit: found it, but can't get it to embed here. It's at this webpage:
http://moogfoundation.org/roger-powe...er-to-the-bmf/
Apparently, Powell did work for Moog, as well. Interesting, kinda like a double agent.
Last edited by GuitarGeek; 03-12-2018 at 11:53 PM.
[QUOTE=Lopez;787255]He definitely had a modular Moog, which he used live with Utopia. That was his main axe on the Another Live tour (his first with them), later supplemented with the ARP Odyssey, RMI Keyboard Computer, Fender Rhodes and Hohner Clavinet. The Big Moog is all over Air Pocket.
Confirmed Bachelors: the dramedy hit of 1883...
If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
https://battema.bandcamp.com/
Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com
All the Cinema releases were very good. A shame that there were only 4 releases before they went belly up. Of course MM by TD is a fav.
Another group that I like is Software. Maybe a bit more towards the reflective end of the spectrum but if I want to put on my headphones and relax, they fit the bill. I only have 3 releases of theirs, and I heard of them because they were on Klaus Schulze's label. Past Present Future Vol1 and Vol2 are quite good.
Since we're expanding the topic a bit - any thoughts on Redshift?
They're a UK group project of Mark Shreeve, they use mainly analog synths and they sound somewhat like classic Tangerine Dream if they had stayed on their 70's Berlin sound path. Excellent stuff.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
I have a few Redshift...the very first one sounds insanely similar to Rubycon, so folks who love that particular TD album might dig this one.
I slightly prefer the Ian Boddy/Robert Rich collabs on DiN, like Outpost.
If you're actually reading this then chances are you already have my last album but if NOT and you're curious:
https://battema.bandcamp.com/
Also, Ephemeral Sun: it's a thing and we like making things that might be your thing: https://ephemeralsun.bandcamp.com
I do like ARC, Ian Boddy's collaboration with Mark Shreeve of Redshift. I have the last two albums, Fracture & Church, both are excellent.
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
There's always Bandcamp: https://redshift2.bandcamp.com/music
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
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