Hi...I'm back. Had to step away for a couple of days. I mentioned at the beginning of my post that I would address some things mentioned in previous posts, then I got emotional and went off the rails a bit. So, I will go back up top, and fill in what blanks I can, and respond to some posts added after mine. If y'all don't mind I am gonna do them all in one message so I don't create a ton of posts to wade through individually. So....
JKL2000 (and I would like to sincerely thank you for starting this thread): Sterling Whitaker was Brian's best friend. When I came into the Roots picture he was driver, equipment hauler, good-mood maintainer, newsletter writer, live background vocalist (offstage, which I never understood), and general band dogsbody.
Later on he did indeed privately publish the "Unsung Heroes" book. It immediately showed his skill as a writer and interviewer, although I found some of his "unsung heroes" to be somewhat questionable--Craig Chaquico? Randy Bachman? And perhaps Gary Richrath of whom Sterling was a fan, but can't remember if he is in the book or not.
Regardless, it is a good read and first effort....Sterling's writing and interview skills came into much greater relief a few years later with his excellent Styx book "The Grand Delusion". I am only a casual Styx fan and I daresay I found it hard to put down. An excellent book, and a must-read for real Styx fans. Sterling did everyone proud with that one!
I just reread Peter's post where he calls the album "quirky and a tad uneven". Quirky is a fair surface description of the music (maybe more on lyrics later), but I can't agree with "uneven", with a caveat, however. I think the whole album is great up until the last track "For Radio Airplay", which I hated at the time, and still hate now. Taking into account how great the album is up to that point, I always thought it to be a waste of time, and a stupid way to end an otherwise stellar album. I *might* have listened to that track twice.
I also agree with Peter that there isn't a handy group of bands to compare them to, other than the odd "thing" that you might pick out that I mentioned before.
I just remembered Ken Golden's assessment in one of the *fabulous* catalogs he used to print back in the pre-internet days (invaluable resources in themselves),
paraphrasing, he capped his review by saying something like 'I can't figure out what this band is up to; I need to listen to it a few more times."
And Peter--if you found a cassette of that somewhere I'd love to know the origin of that, since Syn-Phonic certainly didn't release it on cassette. Is the traycard brown, or blue?
There were a handful of promo cassettes that Brian made ('someone' borrowed mine, and loaned it to someone, and I never saw it again). You may have one of those.
If so, the mixes on it are quite different from the disc.
Tom - I hope by your "thank you", that you were happy to receive some extra info about Roots/Brian, or moved in some way. Either way, I thank YOU.
I completely forgot about that 'Reocities" site. That guy contacted me (and Wade, apparently), in the late '90s and put that up. The best thing about it at this point is the "photos" section. There's a couple of pieces of memorabilia that he put up, but I sent him a shitload of copied, and some original stuff...and he only put up two of them. I wonder how much a Roots Of Consciousness matchbook would go for on eBay?
Calyx...that is a shame that you don't have a Brian interview. I will have to check to see if I have one somewhere. It is my nature to be a compulsive archivist...I have three copy paper boxes full of Roots ephemera, and three boxes of Echolyn stuff.
I would love to get a website together as some sort of Roots repository, but I'm afraid I have neither the time or tech savvy to do so. I'd be happy to assist anyone who wanted to do so, however.
BTW, Jack, if you look at the Reocities site and check out the image on the Roxy flyer (from an old woodcut, I think), that is what the poster looks like, with black on silver. The "good ones" are 18" x 24", I think. I only have one, which I was inexplicably smart enough to get everyone to autograph.
Sean...not odd that you missed them back then. You would have had to have seen a listing in Creative Loafing for The Cavern, The Point, or The International Ballroom (where, in my litany of 'theatrical' injuries, I fractured my heel). Or The Masquerade, we played there many times.
RE: Wade Summerlin. He was not a long participant in the Roots story but a very important one, in the time he was there. The original bassist, Matt Miller, didn't even really know why he was in the band in the first place. He stuck it out, God knows why, but finally quit because he "just wanted to get drunk and jam in his basement", as I recall. Wade coming into the picture instantly elevated the musicality of the band, for the short time he was there. Maybe 5 or 6 shows.
Kurt! That is so weird that you were in contact with Brian way back then...he never mentioned you to me or Jay. If you haven't connected the dots Jay and I were (are?) the stage managers for Progday. I burned you the Atlas disc and a couple other things.
But yeah, Brian was a huge VDGG fan (I think mostly because of Hammill; if I had to pick out an 'affectation' in Brian's vocals, it would be him). Memories are hazy but he was also a big Tull, Zappa, Barrett-Floyd, Head-Monkees, and Who fan. Jay and I had also become good friends and mutual alcohol disposal units with the Echolyn guys by this point, and he dug Suffocating The Bloom, which was current at the time.
FrippWire...that would have to be Lisa Rose, I would imagine. If that is her, she was actually the Roots manager, and as an amateur, did a mighty fine fuckin' job of it. She bulldogged promoters for gigs, got us a slot opening for James Young (I have a whole other story about that!), and somehow scored the opener slot for us for Yes at Lakewood Ampitheatre. The highlight of that was they wanted to encore with "Purple Haze", and Jon didn't know the words, so I guess he said "go get that band", and the next thing we knew we were in front of the stage teaching Jon the lyrics (I can still see Brian's "can you fucking believe this" smile). Then what do you know...a lanky curmudgeon wanders out with his Grumpy Cat face and had us thrown out....! RIP, Chris.
Also, when Brian passed, Lisa got Brian's obituary published on the inside page of Creative Loafing (the equivalent to LA Weekly, Baltimore's City Paper, etc). She did one hell of a job! She loved the band, and was certainly motivated by her love for Brian.
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