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Thread: Slapp Happy/Henry Cow Desperate Straights

  1. #101
    Quote Originally Posted by Buddhabreath View Post
    even the quasi-clumsy fade-out (as I recall it) is acceptable since the whole piece has the uncanny feeling of stumbling along into infinity...
    For more of that, check the surreal audio-images of L'Ensemble Rayé - more of that strangely amusing yet uncanny drift into the unknown.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  2. #102
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    ^^^

    I've heard a bit and liked what I heard. I'll check it out, thanks for the recommendation.

  3. #103
    Fans of this album should at least try some of Peter Blegvad’s post-SH projects. Everyone already knows Kew. Rhone. but the Lodge album—Smell of a Friend—seriously needs more love. I can’t believe an album this radical got released on a major label (or a subsidiary of one, anyway) in 1988!
    Confirmed Bachelors: the dramedy hit of 1883...

  4. #104
    The Lodge album was released thanks to Jean-Pierre Weiller, who had already released two solo albums by Greaves on Europa and reissued Kew.Rhone. He was then running the Antilles label for Chris Blackwell at Island.

  5. #105
    Quote Originally Posted by Progbear View Post
    Fans of this album should at least try some of Peter Blegvad’s post-SH projects. Everyone already knows Kew. Rhone. but the Lodge album—Smell of a Friend—seriously needs more love. I can’t believe an album this radical got released on a major label (or a subsidiary of one, anyway) in 1988!
    Not as bad as some others from outstanding projects doing solo but Slap Happy in places has a certain magic that's unique. It might have been the sheer force of all those people adding to the chemistry.

  6. #106
    Quote Originally Posted by regenerativemusic View Post
    Not as bad as some others from outstanding projects doing solo
    Kew. Rhone. is, to my ears, an absolutely unique artifact from the outskirts of 'seriously heavy' 70s leftfield progressive rock - and a complete classic at that. Musically it was (mostly) Greaves' work though, with Blegvad doing lyrics. Still the merger of melodic big band chamber-jazz sonorities and dense avant-garde rock antics sounds like little else from that decade, released as it was in '76. Of course, Blegvad solo became a cultish phenom much more in the personae of a 'witty cerebral singer-songwriter' than an art-rock one, so the Smell of a Friend album does stand out as something peculiar and particular in his oeuvre.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  7. #107
    Member Kcrimso's Avatar
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    Quote Originally Posted by Scrotum Scissor View Post
    [I]Of course, Blegvad solo became a cultish phenom much more in the personae of a 'witty cerebral singer-songwriter' than an art-rock one, so the Smell of a Friend album does stand out as something peculiar and particular in his oeuvre.
    But music on Smell Of A Friend is by John Greaves. Blegvad is credited only for lyrics.
    My progressive music site: https://pienemmatpurot.com/ Reviews in English: https://pienemmatpurot.com/in-english/

  8. #108
    Part of Smell Of A Friend was written in Vermont in 1980 in an ill-fated attempt to create a sequel to Kew.Rhone. Some material like Milk dates back even further as it was played live in 1978.

  9. #109
    Quote Originally Posted by calyx View Post
    Part of Smell Of A Friend was written in Vermont in 1980 in an ill-fated attempt to create a sequel to Kew.Rhone.
    Yup, I haven't been listening to it for years and years but now on return I get the picture, and I was mistaken. Very odd sounding (albeit not really in the sense of Kew. Rhone.), and very obviously nothing like any of the (later) Blegvad solo records as such. Of course, Greaves himself actually has alternated between heavily "arty" stuff and more intimate songwriting.
    "Improvisation is not an excuse for musical laziness" - Fred Frith
    "[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM

  10. #110
    Quote Originally Posted by Scrotum Scissor View Post
    Kew. Rhone. is, to my ears, an absolutely unique artifact from the outskirts of 'seriously heavy' 70s leftfield progressive rock - and a complete classic at that. Musically it was (mostly) Greaves' work though, with Blegvad doing lyrics. Still the merger of melodic big band chamber-jazz sonorities and dense avant-garde rock antics sounds like little else from that decade, released as it was in '76. Of course, Blegvad solo became a cultish phenom much more in the personae of a 'witty cerebral singer-songwriter' than an art-rock one, so the Smell of a Friend album does stand out as something peculiar and particular in his oeuvre.
    Blegvad put out some books, one is selling for $1 for several copies. One is based on this album.

    http://used.addall.com/SuperRare/Ref...le=&exaAuthor=

  11. #111

    Dagmar Krause - Supply & Demand: Songs By Brecht, Weill & Eisler [Full Album]

    This has my favorite music outside of Slapp Happy.

  12. #112
    Member Steve F.'s Avatar
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    Quote Originally Posted by regenerativemusic View Post
    Blegvad put out some books, one is selling for $1 for several copies. One is based on this album.
    Leviathan is a brilliant book and series. Stunningly great.
    Steve F.

    www.waysidemusic.com
    www.cuneiformrecords.com

    - - - - - - - - - - - - - - -

    “Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin

    Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]

    "Death to false 'support the scene' prog!"

    please add 'imo' wherever you like, to avoid offending those easily offended.

  13. #113
    Re Slapp Happy: there seems to be a show scheduled for May 18, double bill with Faust, only this time the backing "band" is drummer extraordinare Guigou Chenevier!

  14. #114
    Jazzbo manqué Mister Triscuits's Avatar
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    How funny to see this thread reappear right after I played the album.
    Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
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    http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx

  15. #115
    Member Steve F.'s Avatar
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    Quote Originally Posted by flytomars View Post
    Re Slapp Happy: there seems to be a show scheduled for May 18, double bill with Faust, only this time the backing "band" is drummer extraordinare Guigou Chenevier!
    That's great and great to see Guigou included.
    Steve F.

    www.waysidemusic.com
    www.cuneiformrecords.com

    - - - - - - - - - - - - - - -

    “Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin

    Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]

    "Death to false 'support the scene' prog!"

    please add 'imo' wherever you like, to avoid offending those easily offended.

  16. #116
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    Great interview AND most of this are songs from an excellent concert they did last year in Brussels. Brilliant!
    http://www.radiopanik.org/emissions/...vad-interview/

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