I usually start with Introducing Lemon (particularly Autumn Wind) to demostrate how impressive and unusual they can be, and to get the whole technical chops thing out of the way.
People often recommend these:
Fear Draws Misfortue
No Ifs Ands or Dogs
Salad Days
Of course, I think they're all great in their own ways. I'd save Gumballhead and Younger Than you Are for last. Otherwise, I'd say it's pretty safe to just work your way back in time from the most recent.
Feeling inspired to give a shot at describing some of their albums...
In general, they all have an element that is difficult to describe or compare to other bands. Hence, the RIO label they are often given. Sometimes, the best I can do is just say it sounds like "CHEER-ACCIDENT".
Life Isn't Like That (Complacency Records, Cassette, 1986) - rare. I've only heard a few songs, but they were solid pop-prog-like with a lo-fi and vintage feel
Sever Roots, Tree Dies (Complacency Records, LP, 1988, CD Reisssue on Freakshow, 2007) - 80s-sounding reverb on drums. almost a traditional progressive rock album - drums, guitar, bass, piano.
Vasectomy (Complacency Records, Cassette, 1989) - rare, but thankfully on Bandcamp. solid pop-prog-like with a lo-fi and vintage feel
Dumb Ask (Complacency Records, 1990. Reissued on Neat Metal and Pravda Records) - driving noise rock with some math. almost grunge. drums, distorted guitar, bass.
Babies Shouldn't Smoke (Complacency Records, CD, 1991) - experimental pop-noise-prog blend with some Henry Cow-esque moments. plenty of dissonance. lo-fi sounding. drums, guitar, bass, piano.
The Why Album (Complacency Records, CD, 1994) - I'd say it's almost a normal in-the-box (60s?) pop style album - a collection of songs with words and melodies. mostly sweet and melancholy.
Not a Food (Pravda Records, CD, 1996) - noise math rock. mostly instrumental. drums, distorted guitar, bass.
Enduring the American Dream (Pravda Records, CD, 1997) - very weird and experimental, far out, but with some beautiful songs and rocking. a bit lo-fi. variety of textures/instruments.
Trading Balloons (self-released CD-R, 1999) - one long art oddessy [sic] - alternating soundscapes and repeating riffs.
Salad Days (Skin Graft Records, CD, 2000) - hard to describe... very CHEER-ACCIDENT. epic deconstructionist "prog" compositions. mostly instrumental with some horns, etc..
Variations On A Goddamn Old Man (Vol. 1, Pravda Records, CD, 2002) - variety of experiments. some synth riffs. surprisingly accessible at times.
Introducing Lemon (Skin Graft Records, CD/LP, 2003) - dense and full of creative surprises. a good intro to the band's scope. very CHEER-ACCIDENT.
Gumballhead the Cat (Skin Graft Records, CD and comic book, 2003) - jammy rock
Younger Than You Are Now: 1981-1984 (Pravda Records, CD, 2004) - old lo-fi youthful experimentation.
Variations On A Goddamn Old Man (Vol. 2, Pravda Records, CD, 2005) - variety of experiments. some synth riffs. surprisingly accessible at times.
What Sequel? (Pravda Records, 2006) - solid pop style. plenty of singing and melody.
Variations On A Goddamn Old Man (Vol. 2.1, Pro Janitor Records, CD-R, 2007) no idea - I need to look into this.
Variations On A Goddamn Old Man (Vol. 3, Complacency Records, CD, 2008) - variety of experiments. some synth riffs. surprisingly accessible at times.
Fear Draws Misfortune (Cuneiform Records, 2009) - tight and creative with a wide variety and instruments. outside-the-box prog. very CHEER-ACCIDENT
No Ifs Ands Or Dogs (Cuneiform Records, May 2011) - tight and creative with a wide variety and instruments. outside-the-box prog. very CHEER-ACCIDENT
Putting Off Death (Cuneiform Records, CD/LP, May 2017) - serious somber tone. subtle and creative. plenty of singing and melody. somehow even further into their own style.
Fades (Skin Graft Records, May 2018) - mostly rocking guitar/vocal songs with surprising and epic moments.
Chicago XX (Complacency Records, LP, July 2019)- epic songs. bounces between "normalcy" and CHEER-ACCIDENT. plenty of singing and melody.
Bookmarks