and don't say Slapp Happy, too easy.
and don't say Slapp Happy, too easy.
This is going to be a rather short thread.
Having snarkily said that, the Alsan isn't too much of a stretch, although no one could or ever will write lyrics like Peter Blegvad.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
I cant hear the Alsan resemblance to The Slaps, but ears cant be attached to heads in different ways.
Yes, Blegvad is unique and very few sound like Dagmar Krause.
Last edited by Zeuhlmate; 01-02-2017 at 11:58 AM.
Not really a proper band, but I say Kurt Weill.
on the PG&AZ
Hell, they ain't even old-timey ! - Homer Stokes
I always see After Dinner as a sort of - *sort of* - Japanese Slapp Happy, although Slapp Happy is much, much more interesting to my ears.
Although you could also say that Kurt Weill was about aesthetics, and Bertolt Brecht was about a message - the Brecht/Weill songs being the roots of Slapp Happy, as well as of substantial aspects of the Art Bears. Part of the reason that, even though Brecht and Weill might have done some of their best work together, they never found it easy to collaborate. Brecht might have had a less difficult time in his later work with Hanns Eisler, who shared his uncompromising political convictions.
Confirmed Bachelors: the dramedy hit of 1883...
More Pegelia Gold - perhaps in the outskirts of Slap Happy
https://www.youtube.com/watch?v=STRwPb_DvU8
https://www.youtube.com/watch?v=h7ck5DYSGYQ
https://www.youtube.com/watch?v=eMWPN_brUHE
https://www.youtube.com/watch?v=Q1h7ae5fLnQ
https://www.youtube.com/watch?v=O8oRsJlVtog
Thought about this thread when i heard this today- not exactly like Slapp Happy - but similar delivery
Estonian Artist Hille Ostrat Armulaulu Viise 1966 EMP Records Sweden Jazz
I guess this is as good a place for this as anywhere.
Performance and interview:
http://www.thewire.co.uk/video/watch...-last-november
I want to dynamite your mind with love tonight.
Ha, I just heard it this morning from the room next door (who knew hotel bad acoustics could come in beneficial )
Last night performance was excellent, btw, but Cologne show was more emotional for me, being the first Slapp Happy show that I get to see...
The renditions were flawless (if you omit the false starts which were mostly amusing), the sound and mix were fantastic, much better than Cologne.
Perhaps some of the songs were a bit slow in tempo (just a conversation, heading for Kyoto which Dagmar herself said was on the slow train this time ), but I didnt mind, for me the evening was perfect.
Also great to see the ammount of love the band gets from the audience, Dagmar seemed overwhelmed by it at times.
"AND THE CROWD WENT WILD"
Nobody spins a tale like PB.
Steve F.
www.waysidemusic.com
www.cuneiformrecords.com
- - - - - - - - - - - - - - -
“Remember, if it doesn't say "Cuneiform," it's not prog!” - THE Jed Levin
Any time any one speaks to me about any musical project, the one absolute given is "it will not make big money". [tip of the hat to HK]
"Death to false 'support the scene' prog!"
please add 'imo' wherever you like, to avoid offending those easily offended.
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