Thanks for sharing this, nice interview. He marks King Crimson direction 'abstract', that's interesting.
I wonder why he hasn't finished "Oh My Father". Emerson wouldn't be needed for that.
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Laura
Always cracks me up how transparent Lake is. It's obvious he's got an ax to grind where Crim and Fripp are concerned. The last time Lake was a better guitarist than Fripp was 50 years ago, and like all the rest of the "Courties" (including fans of the original band), he takes it personally that Fripp decided to continue using the name King Crimson. Laughable and childish. "All about the songs". bwahahahahahahaha
I see that the quad release of Welcome Back... only came out on 8-track! I know the stereo mix was folded down from that mix, which could account for why it sounds so peculiar.
LoL referring to Lake and Fripp as guitarists. Fripp was always light-years more advanced than Lake. Even before Lake was around in Giles, Giles & Fripp, Robert was playing guitar that Greg couldn't touch. By stroke of luck IMO, Lake was convinced to switch to bass in King Crimson, where he excelled on that instrument. Even in ELP Lake's acoustic and electric guitar were at best mediocre.
Last edited by AncientChord; 09-27-2016 at 07:10 PM.
Day dawns dark...it now numbers infinity.
I've gotta agree with this. Lake did some cool stuff here and there but is in nowhere the same league as Fripp in my opinion.
I even question his bass lines in ELP, some of the note choices are so, so cool and odd I'm pretty sure Keith told him what to play, or Keith just did it himself.
When I learned a bunch of ELP stuff on bass for a tribute band, I found learning the parts exceptionally challenging. Kudos to Lake for nailing that shit live!
Here's the thing: Keith and Fripp will never have that voice. Lake wins.
Fripp has said that Lake was the better guitarist when they were kids growing up together. As far as Lake and his bass playing, he couldn't touch the Wetton of the early to mid 70s. That being said, guitarists did have a habit of changing to bass when in the same band as Fripp Boz Burrell was taught the rudiments of bass by Fripp and Ian Wallace like 5 minutes before going out on tour with Crimson. To me, this made his choice as the bass player in Bad Company extremely odd, especially given that he was following Free's Andy Fraser. If he wasn't going to sing in Bad Co (and rest assured he wasn't with Rodgers there), I have no idea how he ended up with that gig.
No man, and of all the freaking musicians out there, Keith and Fripp are so uniquely distinctive their voices come thru by sheer force of their music. Both amazing, and I love Keith Emerson. I still get a pang in the chest thinking about it.
BUT I swear to God there is not a single musician out there who doesn't secretly wish he could sing like someone at Lake's level. How many have tried and had shitty voices?
Learning to play an instrument is something pretty much anyone can do with effort, but one has to be born with something like a voice (or a huge cock).
That was my point.
Ok, but to me, Rodgers and Winwood were the best white guy singers of that era. Just sayin' Fwiw, voice is just another instrument on the musical palette. I don't think I can agree that anyone can learn the other instruments either. Many have "great" voices - few learn how to use them properly. THAT'S the real gift.
Hey guys Jakko in King Crimson rises to the occasion on Lake and Wetton vocals IMO. Fripp could not have made a better choice. By the way Kerry, is Heliopolis going to play anywhere in the L.A. area soon? I'd like to see you guys again.
Day dawns dark...it now numbers infinity.
You say this in the face of his obvious success, which you already knew I was talking about. One last repetition then I'm off the bike: I said "someone at Greg Lake's level". I never brought the character of his voice into the conversation, and you veer off into Best White Male Vocalist territory, like, looking to be challenged on some new issue. Were you hoping I'd respond with, "Dude, the Best White Vocalist of all Time, Space and Dimensions was Andy Gibb"?
"You missed my winkie."
And you missed a spot, like Kevin Gilbert did, and, well, you know how that ended.
Now've we got Steve Winwood, Paul Rodgers, I have to mention Freddie Mercury, maybe Andy Sturmer?
Thread turns to powerpop.
Now it won't out of spite.
I think you're reading way too much into my post, and as usual on music forums, taking the opinions of others way too personally. Other than that, I have no idea what you're talking about. But, I will tell you that sales/success have nothing to do with talent, or even perceived talent. Prog vocalists on a whole other (higher) plane than power pop vocalists. Who knew?
I know. Dude, I presume?
You attempted to bait me into something.
Nothing personal -- there's no real person in there anyway, is there? -- but literally every single thing you said is a textbook example of what one could consider a potential personality disordered person.
Just my opinion, no judgement passed, end of interaction, end of supply.
LOL. Go back and listen. If you had bothered, or even "knew", you'd know that calling the 2 I mentioned "power pop vocalists" is misguided, if not simplistic. That being said, not only have you managed to further stigmatize "personality disorders" publicly, but you've managed to prove that you're a classic example of one who suffers from them. Take your sophomoric insults and realize that trying to relive your alpha-male high school years has no place in any mature discussion.
OK, but when he did play, either in the studio or live, it was always the weakest section of any of their songs. He could never reach the levels of Emerson or Palmer. And any amateur guitarist could easily learn his acoustic guitar songs like "From The Beginning," Lucky Man" and "Still You Turn Me On." And as far as his bass goes, it's pretty good. Yeah he's no Wetton or Tony Levin, but besides his voice, bass playing was his second best talent.
Day dawns dark...it now numbers infinity.
Regarding the electric guitar, was that by design? I don't think the guitar solo on "Battlefield" is terrible. My guess is that Emerson wouldn't permit additional electric guitar, especially solos, since Emerson had a huge ego and didn't want to be upstaged by a guitarist.
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Laura
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