Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
Ian
Host of the Post-Avant Jazzcore Happy Hour on progrock.com
https://podcasts.progrock.com/post-a...re-happy-hour/
Gordon Haskell - "You've got to keep the groove in your head and play a load of bollocks instead"
I blame Wynton, what was the question?
There are only 10 types of people in the World, those who understand binary and those that don't.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
I think the main issue is no electric guitar. There are many Yes fans who love their heavier rocking style, especially Howe and Squire (RIP). That was especially true here in Atlanta back in the 70s. It was somewhat embarrassing hearing someone screaming "ROCK AND ROLL!" to a primarily woodwind-based instrumental group. How are you going to make those instruments ROCK?
Go grab a beer, hit the bathroom, talk to your girfriend in the hallway, or check out the merchandise table if you don't like the opening act!
Mushrumps is essential for its uniqueness and beauty.
I've always had trouble with their début (maybe the band at their truest and most authentic form).
Mushrumps is more authentically medieval, but Red Queen is more GG-like, IMHO..
Raindance, sounds like tiouring with Yes certainly influenced them a bit too much (though the disaster would be in aptly-titled Treason)
Tooooo bad they're not tempted to emigrate to the continent.
It does get some heat from purists, but Helde,leben is my fave track from them
Indeed, Red Queen's four lengthy tracks are too samey-sounding
my music collection increased tenfolds when I switched from drug-addicts to complete nutcases.
Any love for the live albums? One of them has better sonics (can't remember which) and it has a killer version of "Midnight Mushrumps" on it.
Not "too samey" for me, either. I mean, they all have crumhorn and/or bassoon, recorders and no electric guitar (as I recall), so compared to music from other bands there will be a certain "samey-ness" to them for that reason alone, but the compositions are plenty different.
A friend and I used to work together in a stockroom and could play our music rather loud because we were the only ones working back there usually. Our boss would come in and look at stock to place orders on occasion, and one time we had "Red Queen..." playing nice and loud. At the end of one song there's a really frenetic part with the recorders playing repeated eighth notes in harmony, and my boss couldn't take it anymore and yelled "what IS this?!?". We smiled and politely tried to "explain" the music, to little avail (but didn't turn it off). It's funny, because to me there's nothing particularly odd about Gryphon's music. I love it. But to many others it's from a completely different musical world than they're used to.
I'm sure I've told this before here, but at a different time we had Bach organ music playing, and the very famous "Tocatta and Fugue in D Minor" came on. As my boss left the room he said "what is this, the Munsters?". My friend, who had only been working there a few days (weeks?) yelled out "It's Bach, you uncultured swine!!!"
ProgEars and other prog posters & prints: http://www.michaelphipps.net
.*AWAKEN*. gentleMASS -touch-
Hurtleturtled Out of Heaven - an electronic music composition, on CD and vinyl
https://michaelpdawson.bandcamp.com
http://www.waysidemusic.com/Music-Pr...MCD-spc-7.aspx
Nah, that was a different audience during Jon's "[...] cha-ch-cha'h ch-cha'h!" solo spot at Yes' support slot for a Skynyrd tribute band from Spokane and their series of concerts in public toilets sometimes during the late 90s (The Grand Lavatoury). Jon being quite confident he was the very embodiment of juicy r&r.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Gryphon are live at the Union Chapel in London on Friday 16th September. They also have a new website.
"When [tomorrow's gig is] done and dusted, we plan to go into the studio to start what will probably be a six to eight month gestation period, creating a long-awaited new album, to be released in 2017, our first for a mere 40 years...!!!"
ProgEars and other prog posters & prints: http://www.michaelphipps.net
.*AWAKEN*. gentleMASS -touch-
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