There’s also the Utopia album, a Lothar Meid/Olaf Kübler project, which was reissued as an Amon Düül II album, despite not really being one.
I find it excellent. It’s instrumental (with some wordless vocals from Sally Oldfield) music in Pohjola’s unique jazz/classical fusion style. If you like it, check out his other work, you’re very likely to enjoy his other output, too. I think Mathematician’s Air Display (credited simply to Pekka) is the current edition, but the version I have carries the original Finnish title, Keesojen lehto. I understand giving credit to the Oldfields to boost Pohjola’s name, but actually releasing this as a Mike Oldfield album is more than a little disingenuous, as he didn’t play on the whole thing, nor did he compose any of it (all the compositions are Pohjola’s, it really is his album). The tracks that don’t feature the Oldfields are backed by members of Made in Sweden (basically: the whole band minus their singer Tommy Körberg), which Pohjola was a member of at the time.
Confirmed Bachelors: the dramedy hit of 1883...
ProgEars and other prog posters & prints: http://www.michaelphipps.net
.*AWAKEN*. gentleMASS -touch-
I like it as well and I think the tracks that don't feature the Oldfields sound a lot like Made In Sweden with the same musicians. I have the album on vinyl in the edition with Mike Oldfield big. I knew it was a Pekka Pohjola album, because before I bought the album rather cheap, I think it was in the cut-out bin, someone made a tape of it for me. The CD I have, has the Finnish title. In my book Pekka Pohjola never did anything wrong. But hey, if there is one musician I admire, it's Pekka Pohjola.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
This particular album has been released as:
The song titles in the first two are in Finn and Swedish respectively, and the English translations of the titles are different in the rest. A guy trying to avoid buying duplicate albums seems to be intentionally confused by the process.
- Keesojen lehto in Finland, listed as by Pekka Pohjola
- Skuggornas tjuvstart in Sweden, by Pekka Pohjola
- The Consequences of Indecisions in the Netherlands, by Mike Oldfield
- The Mathematician's Air Display in England and the USA, by "Pekka"
- Untitled in the USA and Italy, by Mike & Sally Oldfield & Pekka Pohjola
- US-101 in the USA and Italy on vinyl, by Mike Oldfield, Sally Oldfield & Pekka Pohjola
Originally Posted by WikipediaYou of course have the right to be wrong.Originally Posted by Mysterious Traveller
Last edited by rcarlberg; 06-11-2016 at 01:43 PM.
At Stockholm - Psychic TV & White Stains - 1990
At Stockholm - Genesis P-Orridge & White Stains - 1995
At Stockholm - Thee Majesty & White Stains - 2004
These are typical of Genesis' mercenary marketing techniques. He would claim that the albums are fetish items and as such are unique despite having the same recording on each album. He has done this with much of the Psychic TV discography - initially as a way of erasing ex-wife and band member Paula P-Orridge's name from the recordings, which I find despicable. A relentless self-publicist he continues to release archive Psychic TV recordings under his own name and under the name Thee Majesty with little or no credit given to the contributing musicians.
The version I have is just untitled, like the USA and Italy one, it is released by Happy Bird and distributed in the Benelux (Belgium, the Netherlands, Luxembourg)
https://www.discogs.com/Mike-Oldfiel...release/838308
Let It Be was originally released as We're Putting Up With Paul.
Why is it whenever someone mentions an artist that was clearly progressive (yet not the Symph weenie definition of Prog) do certain people feel compelled to snort "thats not Prog" like a whiny 5th grader?
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