It was Zoviet France, who also had album covers made of burlap, sheet metal, aluminum foil, vellum and Masonite™.
The first Earth & Fire album (UK pressing on Nepentha, with cover by Roger Dean) was like this, with additional artwork hidden between the two layers of cardboard.
So did Ambrosia’s Somewhere I’ve Never Travelled
There were a few with covers that folded out into huge posters (like Pathfinder by Beggars Opera or Space Hymns by Ramases). Dr. Z’s Three Parts to My Soul had hinged doors that folded outward like BSS.
Lots of Krautrock stuff had unusual cover art. Amon Düül II’s Pyragony X had a big die-cut circle in the middle through which the inner sleeve art showed. 2375004 by Ihre Kinder came in a cover made from blue denim fabric. The original release of Ausschuß by Eulenspygel came in corrugated cardboard with a fake fried egg affixed to the front.
In Search of Space by Hawkwind came in an outrageous unfolding cover with a zigzag fold-together bit in the center. Good luck in finding a copy that’s not all bashed up from being slid in and out of record stacks!
Some early Banco (del Mutuo Soccorso) albums had gimmick album covers. The first release of the debut came in a cover made to look like a bank statement book. Io sono nato libero was both die-cut and had center-opening doors (with several pages of liner notes, no less) like the Dr. Z album and BSS.
Some of Family’s albums were gimmick covers as well. Anyway originally came in a textured, translucent outer sleeve. Fearless came with scrollwork, die-cut pages that opened like a book. Bandstand had both a die-cut outer pattern and windows.
The U.S. release of Earth & Fire’s debut LP (on Redbullet) and the first Tempest album (with Allan Holdsworth) had flip-top covers.
The Probe (U.S.) release of the first Soft Machine LP had a die-cut with a rotating insert like LZ3.
Yatha Sidhra’s A Meditation Mass had the band’s name die cut, showing the underlying innersleeve art. The original CD release on The Laser’s Edge had a booklet that reproduced this art (and that’s the version I have!).
Horslips’ Happy to Meet, Sorry to Part was a hexagonal die-cut made to look like a concertina.
Bookmarks