Seeing how absolutely no one whatsoever seems to actually know what the hell "prog" is to begin with, the very term of this question appears somewhat oblivious. But shitloads of artists made music which was nevertheless both psychedelic and progressive - stylistically - and did so with *conscious intent*.
But no, I don't find much psychedelic about that first UK album, or with Univers Zero. Talk Talk were extremely psychedelic on their last two records, but not as genre.
And William Shatner was all of the above. And more.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
To be honest I only listen to prog whilst stoned. Only on weekends.
No.
Don't worry, we are both here. And yes, still same IP-address since we live together.
Pink Floyd is a band who started out Psychedelic because they weren't good enough to play in a more structured manner. Listen to Interstellar Overdrive and A Saucerful of Secrets to hear their Psychedelic side. Astronomy Domine, while having a lot of the types of effects generally associated with Psychedelic music, is a step closer to being Progressive, as was Atom Heart Mother and Echoes.
When jam sections are played, the less structured solos tend to sound Psychedelic while the more structured solos tend to allow different styles to better fit the groove.
Some might say "Time" is Psychedelic because of the freakout clock alarms at the beginning. Most Psychedelic songs, however, are not that well structured and do not have concise solos. Dave's Blues soloing made things line up better in the Progressive side of things.
Last edited by Rick Robson; 01-23-2016 at 09:34 AM.
"Beethoven can write music, thank God, but he can do nothing else on earth. ". Ludwig van Beethoven
Steve Reich's Octet is scored and obviously completely planned yet is, as far as I can tell, one of the most psychedelic pieces of music ever recorded. What can I tell you?
I can name you several dozen examples of 'psychedelic music' which are anything but "spacey, loose, free flowing" - and some of it made by artists whose material for the most part is also 'progressive' WAY beyond the majority of acts presented in here on a daily basis. As such, much of your logical precondition is wrong.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Last edited by Rick Robson; 01-23-2016 at 01:49 PM.
"Beethoven can write music, thank God, but he can do nothing else on earth. ". Ludwig van Beethoven
^ Of course. I suppose I was using an obvious example to make a point. The point being, and loath as I am to open a whole other can of worms, my personal understanding of psychedelic music is very much based on the effect it has on me rather than being tied to a particular style or idiom.
I can side so fully with this; for instance, the most musically psychedelic experience I ever had was probably hearing Magma's "Köhntarkösz" while, uh, mentally sedated.
There are some very obvious other examples, of course; I never really "got" those early releases by Man (the legendary Welsh rockers) before I tried them while accompanied by chemical state-of-the-art, and that piece "Prelude - The Storm" (opening their second album, 2 Ozs of Plastic With a Hole in the Middle from 1969) came out as one of the most placid yet mildly uncanny 'rock tunes' I'd heard up 'till then. And this is certainly not sloppy or "free flowing" stuff, rather multiply detailed and elaborate textures of upmost attention.
An incredibly cool slant of footage with them here:
Last edited by Scrotum Scissor; 01-23-2016 at 03:53 PM.
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Agreed. Köhntarkösz is absurdly psychedelic.
Progressive and psychedelic have been often two sides of the same coin.
Victory over the Sun is a Russian Futurist opera premiered in 1913 at the Luna Park in Saint Petersburg.
The libretto written in zaum language was contributed by Aleksei Kruchonykh, the music was written by Mikhail Matyushin, the prologue was added by Velimir Khlebnikov, and the stage designer was Kasimir Malevich. The performance was organized by the artistic group Soyuz Molodyozhi. The opera has become famous as the event where Malevich made his first "Black Square" painting (in 1915).
The opera was intended to underline parallels between literary text, musical score, and the art of painting, and featured a cast of such extravagant characters as Nero and Caligula in the Same Person, Traveller through All the Ages, Telephone Talker, The New Ones, etc.
https://en.wikipedia.org/wiki/Victory_over_the_Sun
"Improvisation is not an excuse for musical laziness" - Fred Frith
"[...] things that we never dreamed of doing in Crimson or in any band that I've been in," - Tony Levin speaking of SGM
Ian Beabout
Mixing and mastering engineer. See ya at ProgDay !
https://cuneiformrecords.bandcamp.co...m/bakers-dozen
https://cuneiformrecords.bandcamp.co...-and-holland-3
colouratura.bandcamp.com
In a gadda davida sounds like Progadelic to me.
I heard this song recently, for the first time in a long while. I think I liked it at one time, but I was amazed at how lame and plodding it sounds now, neither progressive nor even particularly psychedelic. Is it the organ arpeggios that arfe supposed to make it "psychedelic"?
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